傳統上，藝術實務研究方法不曾著重於現象學，但這正是親身體驗研究的精髓所在。 在本論文中，研究者身兼泰國佛教徒與陶藝家的身份，深受泰國文化與達摩式教導的影響，因而想探究自身的經驗。 本研究旨在省察研究者之親身體驗，並研擬新方法，能夠運用與泰國文化相關的陶土加上手抄紙，創作出非傳統的陶藝作品。 其次，本研究意欲探究參與者對研究者獨特的陶藝作品、展覽及工作坊的回應，以便產生創作陶藝作品的新知識。
利用現象學方法進行陶藝創作的實務研究，主要和記錄及反思方法相關，而在本研究中用以收集資料的方法包括攝影、書寫及錄音，並且發放開放式問卷，以分析參與者的回應。
本研究之重點在於貢獻對於方法、流程及材料之新洞見，能夠運用陶土加上手抄紙，創作出非傳統的陶藝作品，並成為陶藝領域的新範圍。 此外，研究者在創意過程由始至終，揉和泰國文化、手抄紙及陶土的陶藝創作旅程可以作為示範，如何運用日常生活的實踐，培養習慣與技巧，進而創造出不斷變化的創意過程。 研究結果亦顯示創作陶藝作品的新知識，能夠運用陶土加上手抄紙，為展覽及工作坊中的遊客及參與者帶來平靜而活潑的感受。研究限制及對未來研究的建議也會在文中探討。

Regarding conventional approaches of practice-based research in artistic research have not been focused on the phenomenology, which is the essence of the study of lived experience. In the dissertation, as I am a Thai Buddhist and ceramic artist, Thai Culture, and Dhamma teaching influenced me to investigate my own experiences. The purpose of the study is to examine my lived experience and to develop the new method of using handmade paper and porcelain slip in relation to Thai Culture to create unconventional ceramic artworks. Secondly, it aims to explore the participants’ responses concerning my unique ceramic artworks, exhibitions, and workshops in order to create new knowledge of making ceramic artworks.
Employing practice-based research in creating ceramic artworks with phenomenology approach is relevant to documentation and reflection methods which applied in the study as photographing, writing, and recording for collecting the data as well as the open-ended questionnaire is implemented to analyze the participants’ responses.
The significant of the study is to contribute the new insight of methods, processes, and materials which used handmade paper and porcelain slip to create unconventional ceramic artworks becomes the new territory of the ceramic arts field. Moreover, my ceramic creation journey with Thai Culture, handmade paper, and porcelain slip in the creative process from start to finish is an example of having a practice of daily life to develop the habit, and skill created the dynamic of a creative process. Furthermore, the results show that the new knowledge of making ceramic artworks using handmade paper and porcelain slip create peaceful and playful to the visitors and participants at the exhibitions and workshops. Limitation and suggestions for future research are also discussed.

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