依據人類感官感受所產生的感性中，可畫分為視覺、聽覺、觸覺、味覺、嗅覺等意象。感官體驗在任何與人有關的領域十分重要，而觸覺作為五感中分佈最廣的感受，甚至會影響人們對事件的看法及行動，卻被人們視為自身最不敏銳的感覺；為了找尋幫助觸覺更受注意的方法，我參考整合觸覺與其他感官的研究與應用，發現聽覺與觸覺的反應關聯性相較於其他五感更高，因此本創作論文以跨感官體驗為出發點，延續我前一件「類比故事」以聽覺角度探討材質觸感與視覺間關係的作品，本作品主要目標將探尋人們自認為較不敏銳的感受─觸覺，經過編譯材質的音訊影響觸覺的共感體驗，過程實驗現有互動技術與跨感官的心理感受，展出時觀察並訪問觀眾對觸感感受和聽覺音訊的關聯性。
本篇創作論文想透過其他感官(聽覺)的刺激，喚起人們重視觸覺的感受和統合複數感官的體驗。經過蒐羅心理認知及感性對觸覺、跨感覺及音樂相關研究資料和應用，其中發現觸覺、聽覺皆有產生情緒的關聯性，因此以情緒做為跨接感官的橋梁，同時分析黑膠唱片為媒材之作品、近代跨感官體驗作品與設計領域融合觸覺與其他感官的案例，試圖建立觸覺和聲音的關聯，以科技藝術創作的方式挑戰現代人的經驗，創造聽覺對觸覺跨感官的感受，作品《μsic》以觸覺刺激分為〈hardness〉和〈roughness〉兩部分，皆為觸摸得到音樂回饋的觸覺聲音作品，〈hardness〉以材質軟硬程度作為刺激並傳遞樂曲的軟硬度感受，〈roughness〉以音樂訊號呼應材料表面紋理觸感及粗糙度。展覽後，從回饋中發現觀眾對音樂的背景經驗會影響辨認作品音樂內容的差異，介紹的內容也會影響觀眾對觸感與聲音間關聯的理解程度，然而作品創造的共感現象效果並不明顯，推測是情緒的影響力較不足，也有可能是主動接觸作品並戴上耳機的動作使得心理產生聽覺期待而非產生非預期聲響，以此作為後續系列作品發展的基礎，希望這個創作的研究、過程和結果，能夠貢獻給想整合觸覺聽覺、共感、五感體驗和經驗的各個領域的人們。

This thesis aims to explore the experience between the senses of touching and hearing. It starts on searching the researches and information of sense of touch, cross-modal perception and music. Then it learns by my previous artwork “analog stories” which discusses the non-word subtle information in languages and communications. Moreover it investigates the particular artists and their works. The artwork has been inspired by their experience.

Based on the experience of sensory perception, especially tactile and auditory stimulation, in this thesis, I create a series of artworks named “μsic”, then the goal of this work is that audiences can experience both haptic and sound in synesthesia-like way on it. The artwork emphasizes the haptics and hearing that human usually ignore in daily life. Due to the different feeling of touch, “μsic” is divided into “hardness” and “roughness” two parts. Both of them are installation and interactive artworks with vinyl-like records and mixed music. When audiences press or touch the surface of record, they can know the music with haptics.

“μsic” was displayed in NCKU art gallery. The visitors interacted with and commented on the work that some of them thought they could experience the cross-modal perception between touch and hearing. In conclusion, the thesis and “μsic” can achieve the goal that build a new experience in tactile performance, yet the artwork still needs to try more experiments and different express ways in the future.

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