新冠疫情嚴重影響了戲劇藝術，對藝術家的身心健康、職業生涯和藝術實踐帶來了巨大衝擊。在台灣，戲劇長期以來一直是文化表達的重要組成部分。隨著疫情的緩解，許多戲劇團體努力恢復並重新與觀眾建立聯繫。本研究聚焦於台灣戲劇藝術家在後疫情時代的身心健康，並以常駐島舞蹈劇場和葵巷舞蹈劇場為案例研究。滯留島舞蹈劇場成立於 2010 年，以人文關懷著稱，在台灣表演藝術界獲得了顯著的認可。雞屎藤舞蹈劇場成立於 2002 年，一直受到國家文化藝術基金會和文化部的支持，對台灣的文化敘事貢獻良多。
通過深入訪談、觀察和在線民族誌研究，本研究探討了這些團體的韌性策略。研究結果強調了支持成員並維持藝術努力的創新方法。這項研究強調了身心健康、組織支持和適應策略的重要性，為後疫情時代的戲劇藝術家提供了寶貴的見解。滯留島舞蹈劇場和雞屎藤舞蹈劇場的經驗，全面理解了台灣戲劇藝術家在疫情後恢復過程中所面臨的挑戰和採用的策略。

The coronavirus pandemic has severely impacted the theatrical arts, affecting artists' well-being, careers, and practices. In Taiwan, theatre has long been integral to cultural expression. As the pandemic subsides, many theatre groups strive to recover and reconnect with their audiences. This study examines the well-being of Taiwanese theatre artists in the post-pandemic era, focusing on Resident Island Dance Theatre and Fevervine Dance Theatre as case studies. Resident Island Dance Theatre, established in 2010, is renowned for its humanistic care and has earned significant recognition in Taiwanese performing arts. Fevervine Dance Theatre, founded in 2002, consistently supported by the National Culture and Arts Foundation and the Ministry of Culture, contributes richly to Taiwan's cultural narratives.
By utilizing in-depth interview, observation, and online ethnographic research, this study explores the resilience strategies of these groups. Findings highlight innovative approaches to support members and sustain artistic efforts. This research underscores the significance of well-being, organizational support, and adaptive strategies, offering valuable insights for theatrical artists in a post-pandemic world. The experiences of Resident Island Dance Theatre and Fevervine Dance Theatre provide a comprehensive understanding of the challenges and strategies employed by Taiwanese theatrical artists as they navigate the recovery process in the wake of the pandemic.

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