| 研究生: |
陳世浤 Chen, Shih-Hung |
|---|---|
| 論文名稱: |
類比電路實現虛擬低頻 Virtual Bass with Analog Circuit Realization |
| 指導教授: |
郭泰豪
Kuo, Tai-Haur |
| 學位類別: |
碩士 Master |
| 系所名稱: |
電機資訊學院 - 電機工程學系 Department of Electrical Engineering |
| 論文出版年: | 2007 |
| 畢業學年度: | 95 |
| 語文別: | 英文 |
| 論文頁數: | 89 |
| 中文關鍵詞: | 類比電路 、虛擬低頻 |
| 外文關鍵詞: | virtual bass, analog circuit |
| 相關次數: | 點閱:149 下載:3 |
| 分享至: |
| 查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
本論文旨在提出一個能夠以類比電路實現的虛擬低頻演算法。在提出來的方法裡,吾人利用了聲音心理學理論去實現一個與傳統方法比較起來,能夠不需要額外的犧牲效益就能有效改善音訊低頻響應的演算法。體積小的喇叭與耳機擁有很差的頻率響應是一個眾所皆知的問題。在本論文中,首先提到一個運用虛擬音高產生基頻諧波去取代基頻的諧波產生器,以利完成新的演算法。而後根據等響度曲線圖去達成響度匹配的補償的機制。經過處理之後的低頻訊號成份再與原本的高頻訊號相加去取代原本的音訊,也就是所謂的虛擬低頻。在所提出的諧波產生器中,包括了遲滯比較產生器和半波整流器,去產生奇數與偶數個諧波。
本論文中也提出了一些類比電路所組成的簡單架構去實現所提出來
的演算法,其中包含了全波整流器,奇數與偶數諧波產生器;並且利用開關電容去取代大電阻實現濾波器。而詳細的驗證和效能將在稍後幾章中被描述。
The goal of this thesis is to propose a new algorithm of virtual bass with analog circuits realization. The proposed method utilized the technique of psycho-acoustic to enhance low frequency parts of the audio signals without other costs in contrast with conventional methods which have trade-off in some performances. Poor low frequency response of small size speakers and headphones is a well-known problem. In this thesis, a new algorithm with proposed harmonics generator is first presented that we make use of theorem of missing fundamental to generate harmonics of fundamental frequency and replace it. Then the compensation followed by equal-loudness contour analysis is made to achieve the technique of loudness matching. The processed low frequency components of audio signals are then added with original high frequency
components to replace the original audio signals. It is so-called virtual bass. The proposed harmonics generator includes a hysteresis comparison generator and a half-wave rectifier to generate odd and even harmonics.
We also propose some simple architecture composed of analog circuits to realize the proposed algorithm which include the proposed full-wave rectifier, odd harmonics
generator and even harmonics generator and use the switched-capacitor to replace the large resistance to realize filters. The detailed verification and performance will be described in the following chapters.
[1] K. Pimental and K. Teiceira, Virtual Reality, “Through the New Looking Glass”, NY:McGraw-Hill, 1995
[2] D.R. Begault, “3D Sound for Virtual Reality and Multimedia, Boston:Academic Press, 1995
[3] R. Comerford, “Sharing Virtual Worlds:avatars, agents, and social computing”,IEEE Spectrum, pp.45-50, Mar.1997
[4] Dolby surround sound website:
http://www.dolby.com/resources/tech_library/index.cfm
[5] BBE website:http://www.bbesound.com/technologies/BBE%5FMP/
[6] AES Staff Writer, “Bass Handling in Spatial Reproduction”, Journal of Audio Engineering Society, Vol. 52, No. 9 2004 September
[7] D. Ben-Tzur and C. Martin, “The Effect of MaxxBass Psycho-acoustic Bass Enhancement on Loudspeaker Design”, In Proceedings of Audio Engineering Society
106th International Convention (1999), preprint no.4892.
[8] Website of Conversion of sound units:
http://www.sengpielaudio.com/calculator-soundlevel.htm
[9] David M. Howard and James Angus, “Acoustics and Psycho-acoustics”, 2nd Edition, Focal Press, 2001.
[10] Jesse Guessford, Hans Kapery, and Sever Tipei, “Loudness Scaling in a Digital
Synthesis Library”, Mathematics and Computer Science Division, Argonne National Laboratory.
[11] Malcolm Slaney, Richard F. Lyon, “A Perceptual Pitch Detector”, International
Conference on Acoustics Speech and Signal Processing (1990), p.357-360 vol.1.
[12] Louise J. White and Christopher J. Plack, “Temporal Processing of the pitch of complex tones”, Journal of Acoust. Soc. Am. 103 (4), 1998.
[13] B.J.C. Moore, “An introduction to the Psychology of Hearing”, 5th Edition, Academic Press, 2003.
[14] Schouten, J.F. (1940). The residue, a new component in subjective sound analysis.
Proc. Kon. Nederl. Akad. Wetensch.43, 356-365
[15] British Standard 3383, Normal Equal-Loudness Level Contours for Pure Tones Under Free-Filed Listening Conditions.
[16] Woon S. Gan, Sen. M. Kuo and Chee W. Toh, “Virtual Bass for Home Entertainment, Multimedia PC, Game Station and Portable Audio Systems”, IEEE, 2001.
[17] M. Shashoua and D. Glotter, “Method and System for Enhancing Quality of Sound Signal, K.S. Waves Ltd, US patent no. 5930373”.
[18] Robert Patrick Beyer, “Delivering More Apparent Bass through the Psycho-acoustic Perception of Bass Frequencies”, Phitek Systems Ltd, UK patent no. 2415116.
[19] J.F. Schouten, R.J. Ritsma and B.L. Cardozo (1962), “Pitch of the Residue”, Journal of Acoustical Society of America, 34, pp. 14181424.
[20] Kuan-Dar Chen, “Automatic Coefficients Synthesis and Circuit Implementation
Techniques of High-Order Sigma-Delta Modulators”, PhD Dissertation, Department
of Electrical Engineering National Cheng Kung University, Taiwan, June, 2000.
[21] B. Razavi, “Design of Analog CMOS Integrated Circuits”, McGraw-Hill, 2001.
[22] J. Luck and J. G. Swanson, “First Order, Switched-Capacitor, Low Pass Filter
Implemented with GaAs Insulated-Gate FET Switches”, Electronics Letters 25th, Vol. 26, No. 23, October, 1990.
[23] David A. Johns and Ken Martin, “Analog Integrated Circuit Design”, John Wiley & Sons, Inc., 1997.
[24] Roubik Gregorian and William E. Nicholson, JR., “A Switched-Capacitor High Pass Filter”, IEEE Transactions on Circuits and Systems, Vol. CAS-27, No.3, March, 1980.
[25] Cheung Fai Lee, Mok, P.K.T, “A monolithic current-mode CMOS DC-DC converter with on-chip current sensing technique”, Solid-State Circuits, IEEE, Vol. 39, No. 1, Jan, 2004.
[26] ITU-R, Recommendation BS.1116-1, “Methods for the Subjective Assessment of Small Impairments in Audio System including Multi-channel Sound System”.
[27] W.G. Cochran and G. M. Cox, “Experimental Design”, Wiley, 1992.