本論文是探討「丁」字型或「T」形作為單子系統的空間及造型能力。並以「T」本身的形式做為介面的構造方式，以此發展出「T」元素的構成規則。

論文主要分為三個部份：
1. 觀念：包含單子系統、形狀即介面、涵通三個觀念。
2. 規則：找出「T」組成的最小完整單元進而理解其規模變化之量子現象。
3. 創作：以「T」元素作為實體與虛體的造型演練。

在構成規則的研究當中，發現規模變化的過程有量子現象，也就是從最小完整單元要再增加規模時，其成長並非是連續不斷的延展，而是依照隱藏的數列秩序增長規模。

因為「T」是依靠自身的形狀介面互相咬合的關係，不僅可以當作是實體的材料，也可以看作是虛體的空間，由小的構築層級到大的建築都市層級，雖然都是以此單一元素構成，但呈現的面貌卻是複雜多樣且豐富的。

This design thesis discusses the ‘T’ form as an uno-system in spatial design and explores its power in form-making. Since the T form also acts as an interface of compsition, this thesis develops rules of composition to govern its formation.

This thesis is composed of three parts:
1. Ideas: Present the concept of uno-system, form as interface and generic design.
2. Method: Find the smallest complete unit of the uno-system so as to understand the rule of growth
which exhibits quantum phenomena.
3. Design : Apply the system into spatial design by using T as solid as well as void elements.

The quantum phenomena refers to the process of accumulating the T-elements from the smallest complete unit to a larger scale of composition. The growth of scale is not continual; rather, it jumps.

By the very nature of T shape, the form itself is the means of construction. T-system can be used to construct both solids and voids, from small-scaled industrial design to large-scaled urban design. Based solely on this simple form, the results can be remarkably complex.

1. Anderson Stanford, 2004, Eladio Dieste: innovation in structural art, Princeton Architectural Press, New York.
2. 清水千之助，1988年，《造形の科學》，朝倉書店，東京都。
3. 王明蘅編譯，2008年，《衍異：開放住宅的系統設計》，建築與文化，台北市。
4. 曾文山，2005年，《空間編織》，國立成功大學碩士論文，台南。
5. 劉莉華，2010年，《菱構架：空間與技術試探》，國立成功大學碩士論文，台南。