本文為筆者創作暨研究所時期的研究之集合，作品名稱取自醫學名詞：輔助生殖技術(Assisted Reproductive Techniques, ART)、體外受精（In Vitro Fertilization, IVF）以及胚胎轉移（Embryo Transfer, ET），藝術家站在青年女性的角度，透過藝術創作，提出一個關於科技子宮的假說，藉由文獻爬梳，以「人」為出發，重新檢視科技與藝術之間的關係，試圖為當代的性平議題提出更多元的觀點。
《賽博格宣言》中提及：賽博格不只是一種介於有機物/機械的生命體，更是超越性別二元對立的身體。筆者實驗性的混合各種科技元素，將母體符碼拆解，轉譯成對科技子宮的想像，呈現流動、無法被定義的性別及身體，預見全新生命體的可能性；透過沉浸式投影空間，重新定義觀者-作品-科技三者之間的主/客體關係，觀者的肉身參與成為創作的部份，共同建構賽博格奇想世界。企圖以這樣的創作，回應當代社會對女性身體自主權益的迫害。

This paper is a collection of the author's creative work and study during her research period. The title of the work is taken from the medical terms: Assisted Reproductive Techniques (ART), In Vitro Fertilization (IVF), and Embryo Transfer (ET). The artist presents a hypothesis about the techno-womb from the perspective of a young female through her artwork. Through a literature crawl, the relationship between technology and art is re-examined from a “human” perspective, attempting to provide a more diverse perspective on contemporary issues of sexual equality.
“A Cyborg Manifesto” states that the cyborg is not only a living body between organic/ mechanical but also a body that transcends the gender dichotomy. The author experimentally mixes various technological elements, dismantling the mother code and translating it into four categories— the imagination of a techno-womb, presenting a fluid, undefined gender, and body, and foreseeing the possibilities of a new life form. In this way, the work is a response to the persecution of women's bodily autonomy in contemporary society.

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網路資料
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