在自行車產業生產技術逐漸成熟，而自行車功能從早期的交通代步工具發展到競賽及休閒等領域，然而使用自行車進行各項運動或休閒健身的使用者越來越廣泛，對自行車的客製化提出了更高的要求，具有很大的發展潛力。近幾年來，自行車開啟賽事浪潮，帶動以速度感為名的公路車，在運動賽事中引領自行車風潮，帶起更多人對運動的熱情，因此，也越來越多人願意將金錢投資在自行車的領域上，打造專屬的車型，依照每個人的身高比例做客製化的調整。在市場上，台灣製造自行車的製造商也在市場上佔有一席之地，具有國際知名的品牌皆在台灣製造，具有一定程度的口碑及名氣，然而，在台灣自行車產業已達到一定成熟度，在設計過程中常受到造型上的限制無法突破創新。故本研究開發出一套符合市場需要、有系統化且客觀的公路車車架造型設計流程，以利設計師在設計過程中創造出有別以往的想像及發展空間，因此本研究將藉由仿生設計的設計手法，加入以跳躍及奔跑速度排名第一的豹作為本研究的設計概念，再以感性工學為基礎，調查出造型摻合後的造型對意象的語彙，作為客觀的設計流程，開發一套適用創新自行車設計的方法。本研究主要分成三個階段，第一部分為市場調查與分析；第二部分為造型摻合平台的建立，使用了造型摻合及型態漸變理論，將本研究要探討的仿生設計應用於車架做造型摻合上，因此本研究使用現有編程軟體Grassghopper撰寫混合過程，理論運用2D平面輪廓和特徵曲線將自行車與仿生豹的肌肉線條元素進行造型摻合；最後，再以 3D建模平台將摻合後的造型的建構出來，以問卷調查的形式，找了30位工業設計系學生調查摻合後造型與前測問卷所得到的形容詞語彙及摻合比例是否得到正相關之結果，經問卷驗證後得到此研究方法適用於設計師在做造型發想過程，提供設計師在設計過程中的靈感及方向，因此可以將不同意象的造型融合在一起，開發出更多不同造型的可能性，設計出更符合市場上需要的產品及消費者感知意象的造形。

The production technology of bicycle industry is gradually matured, and the function of bicycle has evolved from the early transportation tool to the field of competition and leisure. In recent years, there have been a wave of bicycle racing events, driving the popularity of road bikes, which are known for their sense of speed, promote the bicycle trend in sports events and bring up more people's passion for sports; therefore, more and more people are willing to invest money in the field of bicycles to create exclusive models and make customized adjustments according to each person's height and figure. In the market, Taiwan's bicycle manufacturers also have a place and all internationally renowned brands are manufactured in Taiwan, with a certain degree of reputation and fame. However, the bicycle industry in Taiwan has reached a certain level of maturity, and the design process is often limited by the styling and cannot break through with innovation. For that reason, this study develops a systematic and objective design process for road bike frame to meet the market needs, so that designers can create a different imagination and development space in the design process. Hence, this study uses the bionic design approach and adds the leopard, which ranks first in jumping and running speed, as the design concept of this study, and then uses kansei engineering as the basis to investigate the vocabulary of the imagery of the styling after the styling blending, as an objective design process to develop a method for innovative bicycle design. This study is divided into three stages. The first part is the market survey and analysis; the second part is the establishment of the styling blending platform, using styling blending and morphing theory to apply the bionic design to the styling blending of the frame. So this study uses the existing programming software Grassghopper to write the mixing process . Theoretically, the 2D planar contours and feature curves are used to blend the bicycle with the muscular elements of the bionic leopard. Finally, the 3D modeling platform is used to construct the blended styling. In the form of a questionnaire survey, 30 industrial design students were asked to investigate whether the adjective vocabulary and the blending ratio obtained from the pilot questionnaire are positively correlated with the post-blending styling. As validated by the questionnaire, this study method is applicable to designers in the process of styling ideas, providing designers with inspiration and direction in the design process, so that they can fuse different imagery of the styling together to develop more possibilities of different stylings, and design products that better meet the needs of the market and consumer perception of the imagery of the styling.

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