本論文旨在探討以西元一九四七年印巴分裂為歷史背景的印度後殖民小說中所描寫的族群身分認同危機，討論的文本以沙哈達哈珊曼托的「血色斑駁的黎明：五十個國土分裂短篇故事集」、畢新沙尼的「黑暗」、與查門那海的「自由」為主。 小說背景由英國殖民時期的和平秩序到後殖民時期的無政府狀態，呈現出個人族群身分成形、反成形、再成形的過程。為了呼應族群身分認同危機的主題，文本中的事件描述也分成三個階段性發展：分裂前共生的和諧、分裂時滅族式的殺戮、與分裂後再和解的希望。這樣的敘述結構完成了『生—死—重生』的生命循環，並藉此達到心靈淨化與療癒的目的。

This dissertation explores the identity crisis presented in Indian postcolonial fiction about India’s Partition with Pakistan in 1947. While the discussion principally focuses on Saadat Hasan Manto’s Mottled Dawn: Fifty Sketches and Stories of Partition, Bhisham Sahni’s Tamas, and Chaman Nahal’s Azadi, it is evident that much Indian partition fiction is narratives on/of the identity crisis that led to the most horrific acts of violence and the mass exodus in Indian history. From colonial order to postcolonial disorder, the three literary texts under discussion indicate a process of identity formation, deformation and re-formation when recognition of self identity is incompatible with social acceptance due to intergroup conflicts. In parallel with the theme of social identity loss and change, events in the texts are narrated in three phases: pre-partition coexisting harmony, partition genocidal holocaust, and post-partition reconciled hope. This narrative structure completes a birth-death-rebirth cycle and therefore achieves an effect of catharsis.

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