法蘭西斯科‧哥雅(Francisco José de Goya, 1746-1828)，是西班牙浪漫主義的最佳代表藝術家，在藝術成就上除了知名的肖像畫作品之外，另外在版畫上也十分有所作為。版畫內容反映藝術家用來批判西班牙社會的黑暗、貪婪、腐敗，表現的手法除了黑暗反諷的嘲笑方式，表達內心的憤恨不平，最為人給予高度評價的藝術價值，即為哥雅版畫中給觀者的詭譎氣氛。本研究主要針對2004年國立臺灣美術館所發行的《曲判黑白－哥雅版畫集》，收錄的《狂想曲》和《戰爭的災難》兩個系列為主，探求哥雅版畫中的詭譎意味，試著分析偉大藝術家哥雅的版畫作品，其畫面的構成如何成功添加神秘元素，烘托一種詭異環境，帶領欣賞者進入神秘可怕的黑暗世界，再次審視哥雅的版畫創作中不只是擁有批判社會，嘲諷上層階級而已，還有令人驚奇連連的細節，組織成詭譎的創作，重新發掘哥雅版畫不同的藝術角度價值。

Francisco José de Goya(1746-1828), is the best representative of the Spanish Romanticism artists. For his artistic achievement, in addition to the well-known portrait works, Goya’s engravings is also very successful. The content of engravings present that artist criticizes Spanish society’s darkness, greed, corruption by a ridicule way with irony in order to express inner resentment injustice. When most people talk about Goya, they would be highly praised of artistic value, especially for the creepy atmosphere in Goya engravings. In view of this, the study focus on the picture album which published by the National Taiwan Museum of Fine Arts in 2004. The picture album named “La exposicion de los grabados de Goya: critica social por el mundo negro y blanco” which included Goya’s two series of engravings, “Los Caprichos” and “Los Desastres de la Guerra.” The study would try to analysis the creepy atmosphere in this two series of Goya engravings. How mysterious elements make Goya’s engravings full with creepy atmosphere? How Goya constitutes the picture successfully by adding mysterious elements to express a strange environment? And lead the viewer into the mysterious dark and scary world. Try to look again that Goya’s engravings not only for social criticism and mocking the upper class, but also for creepy atmosphere which combined with mysterious elements. Let the world know that Goya’s engravings have different artistic value which we seldom discover.

參考文獻

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二、西文專書

Baker, Christopher; The discovery of Spain : British artists and collectors : Goya to Picasso. Edinburgh : National Galleries of Scotland, 2009.

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Evans, Gilla ed., Junquera, Juan José translation; The black paintings of Goya. London : Scala, 2003.

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三、中西文期刊和論文

陳樹升, 洪伶慧等編輯：〈諷刺、隱喻、寫實—哥雅和他的版畫世界〉，《曲判黑白－哥雅版畫集》。臺中市：國立臺灣美術館，2003，頁27-37。

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四、國內外碩博士論文

梁云繻：《除魅與施魅：Goya 1797-99年間的巫術主題創作》，2012年，桃園縣：國立中央大學藝術學研究所101學年度碩士論文。

劉俊蘭：《哥雅版畫研究》，1991年，臺北市：國立臺灣師範大學美術研究所79學年度碩士論文。

譚春燕：《噩夢的歷史－戈雅晚期繪畫中的“黑色”研究》，2008年，南京市：南京藝術大學藝術學碩士。

五、工具書和網站

大英視覺百科全書
中華民國教育部—重編國語辭典修訂本
西方美術大辭典
康熙字典電子版
辭海
Longman-Dictionary of Contemporary English
Oxford Learner’s Dictionaries

六、學術網站、資料庫

不列顛簡明百科全書Britannica Concise Encyclopedia
POMONA COLLEGE MUSEUM of ART
http://www.pomona.edu/museum/collections/goya.aspx
THE METROPLOITAN MUSEUM of ART　
http://www.metmuseum.org/
WEB GALLERY OF ART

七、圖錄畫冊

陳樹升、王婉如撰；洪伶慧、林曉瑜編輯。《曲判黑白－哥雅版畫集》。臺中市：國立臺灣美術館，2004。
Francisco Goya; with a new introd. By Philip Hofer. Los caprichos. New York : Dover Publications, 1969.