本論文以都市「渡口」為設計對像，藉由渡口的本質、基地涵構、與場域氛圍間的互動，來形塑空間場所。論文架構共有四部份：
一、渡口本質：渡口定義，渡口欲為，渡口之接合性與異質性空間特質。
二、本質延伸：詮釋「聚與離」、「等待與盼望」、「遠眺」、「廣場」、及「劇場」；更藉由台灣名謠、文學、戲劇、神學及古代歷史建築案例，找尋空間本質之呈現，作為設計之參考。
三、環境脈絡：哈瑪星與旗津之文化環境脈絡與發展遠景，基地分析與建築空間架構構思。
四、形塑手段：藉由對「舞台/角色」、「觀/被觀」、「廣場界面」等觀點之領悟與實踐，完成本論文「都市渡口」之實質設計；同時論述「意與述」之心得領悟。
建築設計必先探究建築之本質，並透過心的領悟來實踐，如此才能創造獨特的、有深度的場所空間。

Urban Port is the subject of this design project. Through a search for the interplay between the nature of urban port, site environmental context, and the atmosphere of traffic connection field, to build a spatial shaping threshold. This paper consists of four parts:
1, Nature of Port: the definition of port; what a port wants to be; heterogeneity and joint in one space.
2, Extensive Interpretation: Readings of gathering/leaving, wait/hope, perspective, urban square, and theater. Taiwanese folksongs, literature and drama, theology, and historical building studies are also touched, as a clue or a trail to look for space essence.
3, Environmental Fabric: context and development vision of Cijin Hamasen, site analysis, and the structure of building space.
4, Form Shaping: from the realization of stage/performers, to see/to be seen, place/ boundary to the shaping of this design project, my personal insight on concept and on representation are also included.
Architectural design must start from the exploring of building nature, then to a realization of the essence of space, then to the creation of a unique/meaningful space.

參考書籍
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