二十一世紀初，文化創意產業的成長逐漸受到重視，為了有效促進文化創意產業之推動，許多歐美國家也陸續提出策略性的政策與工具，創意文化園區的設置便是重點策略之一。在全球策略性地發展文化創意產業的潮流之下，體認到文化創意產業的重要性，我國於2002年5月所提出的「挑戰2008：國家重點發展計畫」中，即把「文化創意產業發展計畫」列入十大重點投資計畫當中，並提出「五大創意文化園區」之構想；其中對於文化創意產業環境之整備，強調創意文化園區與各生產基地連結關係之建立，即藉由實體空間（五大園區預定地、其他創作基地、生產基地）與虛擬空間（網際網路的運用）的建立，以形成產業群落，並建立產業分工與跨領域整合的架構。
然目前國內對於創意文化園區之相關研究中，缺乏對產業群聚效應作用之全面性探討，故本研究即是在產業群聚理論基礎下，利用區位商數、標準化區位商數等地理集中程度衡量方法，觀察台北華山創意文化園區影響週遭地區文化創意產業群聚之變化情形，並分析其群聚特性與聚落化程度之高低，藉以檢視「創意文化園區」此項工具是否確實達到其文化產業群聚之效果，以及對區域文化創意產業整體之發展影響。
另一方面，並藉由國外相關領域學者長期觀察一系列文化特區之經驗，在考量台灣設置創意文化園區之背景條件之下，歸結出於創意文化園區推展過程中五個關鍵的影響要素，進一步檢討華山創意文化園區在目前政策之進行下，無法有效發揮執行效益之因素，以釐清台灣推展創意文化園區策略所應仔細思考與衡量之重點架構，作為未來創意文化園區政策修正方向之參考。

At the beginning of 21st century, the development of the cultural and creative industries flourishes rapidly, and it becomes an overwhelming trend in the world. To promote the cultural and creative industries effectively, several developed countries have proposed related policies and programs. Conscious of the importance of cultural and creative industries, the authorities in Taiwan have proposed the “Challenge 2008 National Development Plan” in May, 2002. In this plan, one of the programs is to set up “five Cultural and Creative Industry Parks”, and it emphasizes the relationship between Cultural & Creative Industry Park and other industry stations. Further, forming the industry clusters by means of substantial space and virtual space, and integrating Cross-domain industries.
However, referring to the researches on Cultural and Creative Industry Parks in Taiwan presently, it lacks for entire research of the industry clusters effect. Therefore, the article intends to use the statistics of “Industry, Commerce and Service Census” and analyze the industry clusters. Using the method of location quotient and standardized location quotient to interpret the transform of the industry clusters conditions in Taipei City (the sites of Hua- Shan Cultural and Creative Industry Park), and analyzes the cluster features and degree.
On the other hand, by the experiences of observing a series of cultural quarters aboard and considering the conditions of Taiwan, we can generalize five core elements in the process of Cultural and Creative Industry Parks. Finally, examining the development of current policy in Hua-Shan Cultural and Creative Industry Park, and it may therefore be useful for amendment to the Cultural & Creative Industry Park program in the future.

中文部份：
王卿韻(2004)，「以土地使用管制角度探討台灣創意文化園區之推動策略」，國立成功大學都市計劃研究所碩士論文。
台灣經濟研究院(2003)，「推動文化創意產業之系統服務規劃研究報告」，行政院文化建設委員會委託研究。
台灣經濟研究院(2004)，「文化創意產業產值調查與推估研究報告」，行政院文化建設委員會委託研究。
行政院文化建設委員會(2004)，「創意文化園區總結報告」。
林政逸、辛晚教(2007)，「創新、能力與文化產業群聚的演化：臺北市音樂產業個案研究」，地理學報，第五十期，頁23–45。
林容婉(2005)，「文化創意產業行銷策略與經營策略發展指標之研究」，立德管理學院國際企業管理研究所碩士論文。
波特(Michael E. Porter)(1996)，李明軒、邱如美譯，國家競爭優勢，台北市：天下文化。
波特(Michael E. Porter)(2001)，陳美岑譯，全球化競爭優勢，台北市：商業週刊。
金佳禾、徐欣玉(2006)，「影響創意服務業空間群聚因素之研究—以台北中山北路婚紗攝影業為例」，國立台灣大學建築與城鄉研究學報，第十三期，頁1–16。
周志龍(2002)，全球化、知識與區域，台北市：詹氏書局。
邱誌勇、劉柏君、廖淑雯(2004)，「自滿的狂歡與虛幻及其之後—論臺灣文化產業」，當代，頁116–123
高秀芬(2003)，「數位內容產業發展模式及策略之研究—以動畫產業為例」，國立中山大學傳播管理研究所碩士論文。
財團法人環境規劃與城鄉研究文教基金會(2003)，「全球化趨勢下文化產業園區發展策略之研究」，行政院經濟建設委員會委託研究。
陳亮全(1989)，台北市土地混合使用適宜尺度之研究，台北市：臺北市政府工務局都市計畫處。
陳添壽、蔡泰山(2007)，文化創意與產業發展，台北市：蘭臺。
陳曉鷗(2005)，「以『婚紗產業』為例探討文化創意事業產業化關鍵成功因素」，國立中山大學企業管理研究所碩士論文。
張瑞珍(2006)，「文化創意產業行銷策略之研究—陶瓷業為例」，國立台北科技大學工業工程與管理研究所碩士論文。
黃敏郎(2005)，地理資訊系統基礎操作實務，台北市：松崗。
黃淑晶(2004)，「『創意文化園區』經營管理策略之研究－從加拿大溫哥華葛蘭湖島園區看華山『創意文化園區』」，國立中山大學藝術管理研究所碩士論文。
黃琡媛(2007)，「都市文化園區建構之制度化—以華山文化園區、駁二藝術特區為例」，國立台北大學都市計劃研究所碩士論文。
黃筠舒(2005)，「1945年以後的臺北酒廠—華山文化園區的形成與變遷 」，國立臺灣科技大學建築研究所碩士論文。
張秀慧(2004)，「台南創意文化園區營運團隊選擇暨產業引進之多重準則評估」，國立成功大學企業管理研究所碩士論文。
經濟部(2003)，「台灣文化創意產業發展年報」，台北市：經濟部文化創意產業推動小組辦公室。
國立台北大學/都市計劃研究所經濟部文化創意產業推動小組(2007)，台灣文化創意產業發展年報。
劉大和(2002)，「建構文化創意園區之探討」，知識台灣電子報。
劉大和(2004)，「文化創意園區的概念與發展—我們為什麼需要文化創意園區」，創意空間：開創城市新地理學，頁88–104，台北市：典藏藝術。
劉大和(2004)，「五大創意園區初步規劃」，創意空間：開創城市新地理學，頁105–109，台北市：典藏藝術。
劉曉蓉(2006)，「文化產業發展成創意產業之策略研究—以交趾陶為例」，國立中山大學公共事務管理研究所碩士論文。
韓明文(2004)，「從群聚觀點探討台灣動畫產業之研究」，元智大學管理研究所碩士論文。
羅怡欣(2002)，「現代劇團創作系統與空間群聚之研究」，國立台北大學都市計劃研究所碩士論文。

英文部分：
Anderson, G. (1994), “Industry clustering for Economic Development”, Economic Development Review, Vol.12. Iss.2, P26–32.
Bassett, K., Grffiths, R., Smith, I. (2002), “ Cultural industries, cultural clusters and the city: the example of natural history film-making in Bristol “, Geoforum, Vol. 33, P165–177.
Bianchini, F. (1993), Cultural Policy and Urban Regeneration: The West European Experience, Baker & Taylor Books.
Brown, A., O'Connora, J., and Cohenb, S. (2000), “Local music policies within a global music industry: cultural quarters in Manchester and Sheffield”, Geoforum, Vol.31, Iss.4, P437–451.
Comedia (1991), The Position of Culture, Appendix to the London World City Report (London, London Planning Advisory Committee).
Crewe,L. (1996), “Material culture: embedded firms, organisational networks and the local economic development of a fashion quarter”, Regional Studies, Vol.30, No.3, P257– 272.
Crouch, C., Farrell, H. (2001), "Great Britain: falling through the holes in the network concept", Local Production System in Europe: Rise or Demise?, Oxford: Oxford University Press, P 161~211.
Department for Culture, Media and Sport (DCMS) (2001), Creative Industries Mapping Documents, London: Auther.
Dosi, G.(1988), The nature of the innovative process , Technical change and economic theory, London: Printer Publishers.
Drake. G (2003), “This place gives me space: place and creativity in the creative industries, Geoforum”, Vo.34. Iss.4, P511–524.
Evans, G. (2001), Cultural Planning, An Urban Renaissance, London: Routledge.
Feser, E.J., Bergman, E.M. (2000), National Industry Cluster Templates: A Framework for Applied Regional Cluster Analysis, Regional Studies, Vol. 34.1, P1–19.
Florida, R. (2005), Cities and the Creative Class, New York: Routledge.
Frost-Kumpf, H.A. (2001), “Cultural districts: Arts management and urban redevelopment, Thesis (Ph.D.)--The Pennsylvania State University.
Flew, T. (2002), Beyond ad hocery: Defining Creative Industries. Paper presented to Cultural Sites, Cultural Theory, Cultural Policy, The Second International Conference on Cultural Policy Research, Te Papa, Wellington, New Zealand.
Furman, J.L., Porter, M.E., Stern, S. (2002), "The determinants of national innovative capacity, Research Policy", Vol. 31, Iss. 6, P899–933.
Garcia, B. (2004), “Deconstructing the City of Culture: the long-term cultural legacies of Glasgow 1990”, Urban Studies, Vol.42, No. 5-6, P841–868.
Garnham, N. (2005), “From cultural to creative industries: An analysis of the implications of the “creative industries” approach to arts and media policy making in the United Kingdom”, International Journal of Cultural Policy, Vol.11, No. 1, P15–29.
Grodach, C. (2008), “Museums as Urban Catalysts: The Role of Urban Design in Flagship Cultural Development”, Journal of Urban Design, Vol. 13. No. 2, P195–212.
Guillain, R., Gallo, J.L. (2004), Agglomeration and dispersion of economic activities in Paris and its surroundings: an exploratory spatial data analysis, 51th North American Meeting of the Regional Science Association International.
Gwynne, P. (1993), “Directing: Technology in Asia’s “Dragons’,” Research & Technology Management, Vol. 36, No. 2, P12-15.
Hoppenbrouwer, E., Louw, E. (2005), "Mixed-use Development: Theory and Practice in Amsterdam’s Eastern Docklands", European Planning Studies, Vol. 13, No. 7, P967–983.
Krugman, P. (1991), Geography and Trade, MIT Press, Cambridge, MA.
Lazzeretti, L., Boix, R., Capone, F. (2008), Do Creative Industries Cluster? Mapping Creative Local Production Systems in Italy and Spain, Industry and Innovation, Vol. 15, No. 5, P549–567.
Martin, R., Sunley,P. (2003), “Deconstructing clusters: chaotic concept or policy panacea?”, Journal of Economic Geography, Vol. 3, No. 1, P5–35.
Matarasso, F. (1997), “Use or Ornament? The Social Impact of Participation in the Arts”, Stroud: Comedia.
McCARTHY, J. (2005), “Cultural Quarters and Regeneration: The Case of Wolverhampton”, Planning, Practice & Research, Vol. 20, No. 3, P297–311.
McCARTHY, J. (2006), “The Application of Policy for Cultural Clustering: Current Practice in Scotland”, European Planning Studies, Vol. 14, No. 3, P397–408.
Miles, S. (2005), “Our Tyne: iconic regeneration and the revitalisation of identity in Newcastle Gateshead”, Urban Studies, Vol. 42, No.5-6, P 913–926.
Mommaas, H. (2004), “Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban Cultural Policy”, Urban Studies, Vol. 41, No. 3, P507–532.
Montgomery, J. (1990), “Cities and the art of cultural planning”, Planning Practice and Research, Vol. 5, No. 3, P17–24.
Montgomery, J. (1995), “The story of Temple Bar: creating Dublin’s cultural quarter”, Planning Practice and Research, Vol. 10, No. 2, P101–110.
Montgomery, J. (2003), “Cultural quarters as mechanisms for urban regeneration. Part 1: Conceptualising cultural quarters”, Planning Practice and Research, Vol. 18, No. 4, P293–306.
Montgomery, J. (2004), “Cultural Quarters as Mechanisms for Urban Regeneration. Part 2: A Review of Four Cultural Quarters in the UK, Ireland and Australia”, Planning Practice and Research, Vol. 19, No. 1, P3–31.
Moon, M. J (2001), “Cultural Governance: A Comparative Study of Three Cultural Districts”, Administration & Society, Vol. 33, No. 4, P432–454.
Moss, L. (2002), “Sheffield’s Cultural Industries Quarter 20 years on: What can be learned from a pioneering example?”, The International Journal of Cultural Policy, Vol.8, No.2, P211–219.
O’Donoghue, D., Gleave, B.(2004), “A Note on Methods for Measuring Industrial Agglomeration”, Regional Studies, Vol. 38, No. 4, P419–427.
Pérez, J., Olivares, A. (2005), The industry location in Spain: new method for measuring industrial agglomeration, 45th European Congress of the European Regional Science Association.
Porter, L., Barber, A. (2007), "Planning the Cultural Quarter in Birmingham's Eastside", European Planning Studies, Vol. 15, No. 10, P1327–1348.
Roelandt, T., den Hertag, P. (1999), "Cluster analysis and cluster-based policy making in OECD Countries: an introduction to the theme", In Boosting Innovation: The Cluster Approach, Paris: OECD, ch.1, P 9–23.
Rosenfeld, S. A. (1997), "Bringing business clusters into the mainstream of economic development", European Planning Studies, Vol.5, Iss. 1, P3–23.
Simmie, J., Sennett, J. (1999), " Innovative clusters: Global or local linkages?", National Institute Economic Review, Vol.170, P 87–98.
Scott, A.J. (1997), “the cultural economy of cities”, International Journal of Urban and Regional Research, Vol.21, P232–339.
Scott, A.J. (1999), “The cultural economy: geography and the creative field”, Culture, Media and Society, Vol.21, P807–817.
Scott, A.J. (2000), The Cultural Economy of Cities, London: Sage.
Scott, A.J. (2004), “Cultural-products industries and urban economic development: prospects for growth and market contestation in a global context”, Urban Affairs Review, Vol.39, Iss.4, P461–490.
Shorthose, J. (2004), “Nottingham’s de facto cultural quarter: the lace market”, independents and a convivial ecology, P 149–162, Aldershot: Ashgate.
Swann, G.M.P., Prevezer, M. (1996), "A comparison of the dynamics of industrial clustering in coputing and biotechnology", Research Policy, Vol.25 , P139–157.
Swann, G.M.P., Prevezer, M. (1998), The Dynamicx of Industrial Clustering: Unternational Comparison in Computing and Biotechnology, Oxford: Oxford University Press.
Thompson, J. (2002), Bread and Roses: Arts, Culture and Lifelong Learning , London: National Institute of Adult Continuing Education.
Throsby, D. (2001), Economics and Culture, Cambridge, UK.: Cambridge University Press.
United Nations Conference On Trade and Development (2008), Creative Economy Report 2008--The Challenge of Assessing the Creative Economy: towards Informed Policy-making, UNCTAD.
United Nations Educational Scientific and Cultural Organization (2005), Cultural industries: towards a policy framework.
Van den Berg, L., Braun, E., van Winden, W. (2001), "Growth clusters in European cities: an integral approach", Urban Studies, Vol.38, Iss. 1, P186–206.
Wansborough, M., Mageean, A. (2000). “The role of urban design in cultural regeneration”, Journal of Urban Design, Vol.5, No.2, P181–197.
Williams, C. (1997), Consumer Services and Economic Development, London: Routledge.
Worpole, K. (1992), Towns for People, Milton Keynes: Open University Press.

相關網站：
行政院文化建設委員會：http://www.cca.gov.tw(2008.11)
行政院經濟建設委員會：http://www.cepd.gov.tw/(2008.11)
華山創意文化園區：http://www.huashan1914.com/(2009.09)
台北市政府都市發展局：http://www.zone.taipei.gov.tw/(2009.06)
曼徹斯特北角文化特區：http://www.northernqtr.co.uk/(2009.11)