| 研究生: |
余祐瑋 Yu, You-Wei |
|---|---|
| 論文名稱: |
來臨的烏托邦?巴拉德《天國降臨》中的新伊底帕斯化 A Utopia to Come? New Oedipalization in J. G. Ballard's Kingdom Come |
| 指導教授: |
賴俊雄
Lai, Chung-Hsiung |
| 學位類別: |
碩士 Master |
| 系所名稱: |
文學院 - 外國語文學系 Department of Foreign Languages and Literature |
| 論文出版年: | 2020 |
| 畢業學年度: | 108 |
| 語文別: | 英文 |
| 論文頁數: | 76 |
| 中文關鍵詞: | 巴拉德 、德勒茲和瓜達希 、反伊底帕斯 、慾望 、烏托邦 、消費主義 、資本主義 |
| 外文關鍵詞: | J. G. Ballard, Deleuze and Guattari, Anti-Oedipus, desire, utopia, consumerism, capitalism |
| 相關次數: | 點閱:169 下載:16 |
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此論文主要以德勒茲和瓜達希對資本主義和(反)伊底帕斯的理論來探究巴拉德《天國降臨》一書中慾望被去符碼化和再符碼化的循環。巴拉德以特立的寫作風格,成為西方文學界中影響層面甚廣的作家。其最後一本小說《天國降臨》較其他作品,卻相對得到學界較少的完整研究。此書以倫敦郊區一處為背景,在虛實間描繪一個被消費主義宰制的理想國度。巴拉德揭露了消費主義帶來的虛幻榮景,並以小說中透過社會改革追求烏托邦來臨的進程,來批判資本主義過度深化所隱含的危機。有別於從心理分析來閱讀該書的方法,此論文將以內在性哲學的慾望論述來探討書中的行動和事件,並強調他們之於抵抗既有社會權威的肯定積極性。此外,我亦試圖透過此文本分析來檢驗(反)伊底帕斯化的論述缺陷。據此,我將先分析慾望是如何在小說中的消費主義烏托邦中被伊底帕斯化。接著,進一步從無聊、種族暴力、法西斯主義和自願性瘋狂等議題來探討故事中烏托邦改革失敗及其演繹出的弊病。藉由此論文的分析,我將叩問並回應以下問題:巴拉德是如何以其「政治性的」書寫來反思並向二十一世紀英國消費主義文化提出警示?社會改革和進步能否帶領我們實踐烏托邦社會的願景?在慾望被去符碼化和再符碼化的循環中產生了什麼倫理困境,而我們又該如何回應?
Mainly using Gilles Deleuze and Felix Guattari’s theoretical frameworks on capitalism and (anti-)oedipalization, this thesis aims to explore the problematic cycle of recoding and decoding desire in J. G. Ballard’s Kingdom Come. Ballard is an influential writer in contemporary English literature, known for his distinctive writing style. His last novel, Kingdom Come, delineates a utopian consumerist community in the face of its downfall, striving to bring about radical social reforms. Unlike other psychoanalytical analyses of Kingdom Come, this research attempts to adopt the account of immanent desire to explore the actions and events in the novel as affirmative ways of resisting the existing social milieu. Such a strategy can retrospectively help us reveal the flaws of (anti-)oedipalization. I first examine how consumerist power oedipalizes desire in this imagined community. Then I explore the two failures associated with sustaining and revolutionizing the consumerist utopia in terms of boredom, racist violence, fascism, and willed madness. With these focuses on Kingdom Come, we can try to answer the following questions: How does Ballard adopt his “political” writing to reflect on and issue warnings regarding the consumerist culture of England in the twenty-first century? Can social reforms and progressions lead to the achievement of a utopian dream? What are the ethical dilemmas produced in the cycle of decoding and recoding desire, and how are we to grapple with these problems?
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