本論文以傳統竹工藝作為研究對象，試圖以實驗性實作方式之研究程序，建構材料特性、
編織規則、圖樣紋理、空間形式四者之間關係，藉由來回檢驗的研究方式，測試其創造空
間的潛能。

本研究主要分為三個部分：
一、研究背景
經由文獻資料的歸納整理，建立台灣竹編織使用的竹材特性、編織規則、圖樣紋理等相關
知識，以提供後續實驗之參考應用。
二、實驗研究
關於材料　　從基本材料處理以及實驗過程了解與發現材料的特性與限制。
關於編織　　實驗期間透過匠人邱錦緞老師協助，以材料特性與基礎編織法為基礎進行測
試。
三、設計實作
透過三個實作階段性對材料和編織檢驗其可行性，紀錄尺度上改變面臨的限制與問題，來
回檢視設計。

藉由經驗和知識操作設計，讓材料反映原始的樣貌，表現出的非物質而是虛實相互存在的
表皮精神。論文的開始以竹編織為研究課題，雖然僅討論竹材，但在不同的實驗中得到有
趣的發現，希望未來可以將研究成果用於不同材料並嘗試新的操作手法。

關鍵詞：竹工藝﹐物質材料﹐胚騰

Extended Abstract
Transforming Bamboo Crafts
by Siao-Chun Huang
Thesis Supervisor：
Shuenn-Ren Liou and Sheng-Fen Chien
Submitted to the Department of Architecture in July﹐2015
In partial fulfillment of the requirement for the degree of Master of Architecture
National Cheng-Kung﹐Tainan﹐Taiwan
SUMMARY
This research takes traditional bamboo craft as the research subjects, and experimental
implementation as the research method. Constructing the relationship of characters of
material, rule of weaving, fabric of pattern, and form of space. Testing its potential to
create spaces by repetitious examining.
There are three parts of this research,
Firstly, research background
Secondly, experiential research
Thirdly, practical design
Examining the probability of space creating by repetitious testing material and
weaving through three stages. Mirroring material original pattern by experimental and
knowledge to represents its “immateriality“, and its “surface layer spirited” which
is created by interaction of virtual and actual.

Key words：Bamboo Crafts﹐Material Properties﹐Pattern
INTRODUCTION
This research takes traditional bamboo craft as the research subjects, and experimental
implementation as the research method. Constructing the relationship of characters of material,
rule of weaving, fabric of pattern, and form of space. Testing its potential to create spaces by
repetitious examining.
There are three parts of this research,
Firstly, research background
Organising reference data to set up bamboo features, weaving rules, pattern fabric and
related knowledge of Taiwan bamboo weaving to be the reference of following experience.
Secondly, experiential research
Material –From fundamental material handle and experience process to understand and
discover feature and limitation of material.
Weaving – On the experience period, assisting by the craftsman, Mr. Jin-Duan Ciou to examine
bamboo c by testing material feature and fundamental weaving rule.
Thirdly, practical design.
Detecting the feasibility of material and weaving bamboo crafts on three practical stages,
recording the limitation and problems of scale changing, and examine the design again and
again.

MATERIALS AND METHODS
In the initial research stage, it collects and organizes bamboo weaving information, practical
data of weaving rules and implements, recording questions and finding that are created on the
practical process to doing bamboo crafts. On the middle research stage, it organises sevenissues to interview the craftsman, Ms. Jin-Duan Ciou. Learning how to handle bamboo and use
equipment by the craftsman’s guide and assistance. On the final stage of research, it
repetitious processes six experimental researches, as a cycle, to set up issues, practical
implementation, recording problems, and discussion of conclusion.

RESULTS AND DISCUSSION
These three research stages examine the feasibility of material and weaving, record the
limitation and problems of scale changing, and examine the design again and again.
Attempting to response to finding of previous research that transformation from experimental
implement operation to spatial form, except the limitation of material, the discussion of
structure also become an important issues on human scale.
Design one, Maker Faire Tainan X MAGI exhibition venue
Design two, Smart Seed Union X MAGI exhibition venue
Design three, CUBE

CONCLUSION
Mirroring material original pattern by experimental and knowledge to represents its
“immateriality“, and its “surface layer spirited” which is created by interaction of virtual and
actual. The weaving rule is language pattern, and material is word. Every material contains its
unique form; Form is produced by material, and also is embodied by material. In the beginning
of the dissertation, it takes bamboo weaving as the research issue, although, it also focally
discusses on bamboo, it discovers interesting finding from different experience. Furthermore,
future research can practice the research result in different material and try new operation technique.

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