本論文進行一理論之設計, 關心的主題是編織系統的形式生產機制，由此建立一形式生成與演變之方法，並進行建築案例之設計操作，以示範此一理論觀點下之設計方法。

本論文共分為四個部分：
１．觀察 陳述實體環境結構和編織契合現象
２．原理 理解編織系統之構成邏輯
３．演練 開發編織系統對空間的造形能力
４．施操　作一實際案例，展現編織系統之空間特色

藉著設計操作和論證,我們發現以下現象：
編織系統是一種狀況引導的程序性形式生產系統，以絞股、繞套、鎖合三種關係為基本元素的組合方式。它們蘊涵編織系統的內在秩序，解決數量和位置等形式創造基本問題。

因為編織主要是滑動和磨擦構造關係，所以存在動態平衡的造型調整機制，對設計者的創作有很高自由度，藉由線條間的處境變化，發生空間形式機會，從均質的線條，到非均質的秩序建立，構成的空間形式，視覺質感與實體秩序並重。
由編織觀念所創作的空間有結構嚴謹、層次豐富、秩序簡單等顯著特色，同時具有單純與多樣並存的美學內涵。

關鍵字：形式生產，設計理論和方法，編織，動態平衡

This thesis proceeds to carry out a theoretical design focusing on the mechanism of space production by braiding methodology to establish the underlying unfolding theory of form-making, and to provide a number of examples demonstrating the design system based on the theory.

This thesis is consisted of four parts:
1. Observation describing the integration of architectural structure and braiding work
2. Principles explaining the constructional logics of braiding methodology
3. Exercise exploring the form-making capacity of braiding methodology
4. Examples demonstrating the spatial characteristics of architectural works done by braiding methodology

Through designed exercises and debates, we conclude:
Braiding methodology is a “data-driven” type of space production system, which is composed of three elements: wringing, swirling, and locked strands. They are involved in the essential issues: “inner order,” “number of resolution” and “location,” of form-making in braiding methodology.
As mainly establishing interaction of sliding and friction between two connected objects, braiding provides a dynamic equilibrium form-adjusting mechanism. This gives designers more freedom to manipulate line order and space-formation in their works.
Space created based on the prospective of braiding is characterized by integrity, multiple levels, and simple order in structure. It also possesses the esthetic quality with both simplicity and diversity.

Keywords: form-making ,design theory and method, braiding, dynamic equilibrium

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