| 研究生: |
黃羿瑄 Huang, Yi-Hsuan |
|---|---|
| 論文名稱: |
我們是誰?參與式策展作為表達與深化西拉雅青少年族群認同、歷史同理心之場域 Who Are We? Participatory Curation as a Space for Expressing and Fostering Siraya Adolescents’ Ethnic Identity and Historical Empathy |
| 指導教授: |
林蕙玟
LIN, Hui-Wen |
| 學位類別: |
碩士 Master |
| 系所名稱: |
規劃與設計學院 - 創意產業設計研究所 Institute of Creative Industries Design |
| 論文出版年: | 2026 |
| 畢業學年度: | 115 |
| 語文別: | 英文 |
| 論文頁數: | 293 |
| 中文關鍵詞: | 族群認同 、歷史同理心 、青少年參與式行動研究 、參與式策展 、西拉雅青少年 |
| 外文關鍵詞: | Ethnic identity, Historical empathy, Youth Participatory Action Research, Participatory curation, Siraya adolescents |
| 相關次數: | 點閱:6 下載:0 |
| 分享至: |
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西拉雅族為台灣最大的平埔原住民族群,自1624年以來,因殖民歷史而經歷文化流失與同化。1991年,西拉雅族人開始推動文化復振,並聚焦於兒少教育。然而,文化課程多為單向授課,許多家庭也缺乏關於族群認同的討論,成人往往難以理解青少年如何看待西拉雅文化。青少年是文化延續的關鍵,其觀點亦需被重視,本研究期望讓西拉雅青少年的聲音能被看見與聽見,並探討參與式策展如何協助西拉雅青少年表達與深化其族群認同與歷史同理心。
早期青少年是族群認同形塑的重要時期(Phinney, 1990),10至12歲更是進入國中多元群體前塑造種族認同的黃金時段。若缺乏穩固的族群認同,在與主流文化互動時,可能產生困惑,甚至拒斥自身文化(Berry, 1997)。而歷史同理心透過歷史脈絡化、歷史觀點採用、情感參與及倫理判斷,讓歷史不再只是書本上的知識,而是能被理解與共感的故事,進而深化族群認同。
本研究採用青少年參與式行動研究(Youth Participatory Action Research, YPAR)作為方法論,研究首先訪談五位西拉雅專家與老師,以了解西拉雅的歷史背景與研究場域現況。接著,十六位西拉雅早期青少年與兒童投入六次參與式策展工作坊,並透過共同創作、策展、討論來探索「我們是誰?」以呈現真實的青少年觀點。本研究亦在展覽後訪談非西拉雅青少年觀眾,以了解其觀展經驗與歷史理解,同時也對參與者進行計畫後訪談,以評估計畫成果。
研究發現,西拉雅文化是隨著歷史與社會變遷持續調整的動態過程,而西拉雅青少年透過家庭、學校課程、文化實踐、同儕互動形塑文化認知與族群認同。在歷史同理心方面,透過歷史想像、書信寫作與角色扮演等課程設計,學生從被動接受歷史知識,轉向理解歷史人物的處境、情感與選擇,並展現初步的倫理判斷及文化延續意識。研究亦發現,「整理、詮釋與表達」是族群認同與歷史同理心發展的重要歷程,參與式策展不僅是一種展示形式,也成為連結歷史理解、族群認同與公共表達的重要媒介。
The Siraya is the largest Plains Indigenous group in Taiwan. Since 1624, they have experienced cultural loss and assimilation due to colonial history. In 1991, Siraya people began to revitalize their culture, particularly focusing on children and adolescents’ education. However, cultural courses are often taught in a top-down and unidirectional way, and ethnic identity is rarely discussed in many families. As a result, adults often find it difficult to understand how adolescents perceive Siraya culture. Adolescents play a key role in cultural continuity, and their perspectives also need to be valued. This study aims to make the voices of Siraya adolescents seen and heard. It also explores how participatory curation can assist Siraya adolescents in expressing and fostering their ethnic identity and historical empathy.
Early adolescence is a critical period for shaping ethnic identity (Phinney, 1990), and the ages of 10 to 12 are a golden time for developing ethnic identity before entering the more diverse environment of junior high school. Without a strong sense of ethnic identity, adolescents may experience confusion, or even reject their culture when engaging with peers from mainstream culture (Berry, 1997). Through historical contextualization, historical perspective taking, affective connection, and ethical judgements, historical empathy can make history more than knowledge in books. It allows history to become stories that can be understood and felt, while also supporting reflection on ethnic identity.
This study adopts Youth Participatory Action Research (YPAR) as its methodology. First, five Siraya experts and teachers were interviewed to understand the historical background of the Siraya and the current situation of the field site. Then, sixteen Siraya early adolescents and children participated in six participatory curation workshops and explored the question “Who are we?” through collaborative creation, curation, and discussion, presenting authentic adolescent perspectives. After the exhibition, interviews were also conducted with non-Siraya adolescent audiences to understand their exhibition experiences and historical understanding. Post-project reflection interviews were conducted with the participants to evaluate the outcomes of the project.
The findings show that Siraya culture is a dynamic process that continues to change in response to historical and social changes, while Siraya adolescents develop their cultural understanding and ethnic identity through family, school curriculum, cultural practices, and peer interaction. In terms of historical empathy, through activities such as historical imagination, letter writing, and hot-seating, students moved from passively receiving historical knowledge to understanding the situations, emotions, and choices of historical figures, while also showing initial ethical judgements and awareness of cultural continuity. The study also found that “organizing, interpreting, and expressing” are important processes in the development of ethnic identity and historical empathy. Participatory curation therefore serves not only as a form of exhibition, but also as an important medium connecting historical understanding, ethnic identity, and public expression.
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