論文題目: 浮士德內心之探究
校所組別: 國立成功大學外國語文學研究所
研究生: 蘇世璋
指導教授: 邱源貴博士
論文摘要:
浮士德常常被認為是一位追求無限知識的人, 反抗上帝的權威, 並且在心中面對此種矛盾掙扎。 然而, 這些思慮著重在於探討他內心的多變性。 浮士德對於外在世界的敵對情形是相當了解的。 為了能在此種環境之下生存, 他對於世界中弱肉強食的關係相當知暸。 把自己的血做為一種得權, 並且使自己優越於別人的手段, 對於浮士德而言是必要的。 假使他沒有如此做的話, 他將無法完成掌控世界, 獲取知識, 以及征服完美女人海倫的夢想。 這些事情如果沒有完成, 浮士德將永遠只是一位默默無名的潦倒學者。 儘管他擁有外在的強勢與權威, 但是它實際上卻是祿西坲(Lucifer)的傀儡。本論文即要探討浮士德的內心。
批評家瑪麗林‧弗侖區(Marilyn French)和亞瑟‧弗藍名根聖歐賓(Arthur Flannigan-Saint-Aubin)對於性別特質的研究與理論, 將協助了解浮士德對於善惡是非的心理發展過程。 此外, 文中兩位天使的代表意涵, 也將提供我們許多層面去剖析浮士德的內心世界。 本文中將引用文本中的例子, 以理論家的理論, 來檢視浮士德的內心改變的過程。

A Study of Faustus's Mind

Abstract

Faustus is often considered a person, who pursues the endless knowledge, defies the authority of the Almighty, and faces the conflict deep in his heart. However, these considerations center on Faustus's capacity to investigate the diversities of his mind. Faustus remains cognizant of the antagonism of the outside world. To survive well, he must remain aware of the alternatives: "to eat" or "to be eaten." Taking advantage of his blood as a way to render him superior to others is mandatory. Without such actions he is not able to realize his dreams to rein over all the provinces, come by knowledge, or conquer his courtesan, Helen. Without these steps, Faustus is degraded and impoverished by one fact, that is, he is nothing but an incompetent scholar. Despite his external power, he truly becomes a servile puppet to Lucifer. This thesis aims to explore Faustus' mind. Critics like Marilyn French and Flannigan-Saint-Aubin all illuminate the terms of Faustus's mental development. In addition, both Angels offer an avenue of insight into Faustus's change of mind and intention. Abundant episodes from the text are examined under these critical theories and used to explain Faustus's mental process.

Works Cited
Ashton, Gail. "Bridging the Difference: Reconceptualising the Angel in Medieval Hagiography" Literature and Theology 16.3 (2002): 235-47.
Bettina, Mathes. "Doctor Faustus Impotent? Fantasizing the Male Body in the Historia von D. Johann Fauster" Women in German Yearbook 15 (2000): 73-95.
Bray, Alan. Homosexuality and Renaissance England. 2nd ed. London: GMP, 1988.
Bred-beck, Gregory W. "Tradition and the Individual Sodomite: Barnfield, Shakespeare, and Subjective Desire" Ed. Summers Claude J. Homosexuality in Renaissance and Enlightenment England: Literary Representations in Historical Context. New York: Haworth P, 1992. 189-223.
Brennan, Michael G. "Christopher Marlowe's Dr. Faustus and Urbanus Rhegius's An Homelye…of God and evil Angels" Notes & Queries 38 (1991): 466-69.
Brunett, Mark Thornton. Master and Servants in English Renaissance drama and culture: authority and obedience. New York: St. Martin's P, 1997.
Cady, Joseph. "'Masculine Love,' Renaissance Writing, and the "New Invention" of Homosexuality." Journal of Homosexuality 31.3 (1996): 9-40.
Clark, Sandra. "Hic Mulier, Haec Vir, and the Controversy over Masculine Women" Studies in Philology 82 (1985): 157-83.
Cole, Douglas. Christopher Marlowe and the Renaissance of Tragedy. America: Greenwood P, 1995.
Collinson, Jeff Hearn David L. "Theorizing Unities and Differences Between Men and Between Masculinities" Ed. Brod, Harry, and Michael Kaufman. Theorizing Masculinities. London: Sage, 1998. 97-115.
Connell, R W. "Psychoanalysis on Masculinity" Ed. Brod, Harry, and Michael Kaufman. Theorizing Masculinities. London: Sage, 1998. 11-37.
Deats, Sara Munson. Sex, Gender, and Desire in the plays of Christopher Marlowe.
Newark: U of Delaware P, 1997.
Dollimore, Jonathan. "Doctor Faustus (c. 1589-92): Subversion through Transgression" Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. New York: Harvester Wheatsheaf, 1984. 109-19.
Flannigan-Saint-Aubin, Arthur. "The Male Body and Literary Metaphors for Masculinity" Ed. Brod, Harry, and Michael Kaufman. Theorizing Masculinities. London: Sage, 1998. 239-258.
French, Marilyn. Shakespeare's Division of Experience. London : Jonathan Cape, 1982.
Goldberg, Jonathan. Sodometries: Renaissance Texts, Modern Sexualities. Stanford: Stanford UP, 1992.
Hammil, Graham. "Faustus's fortunes: Commodification, Exchange, and the Form of Literary Subjectivity" ELH 63.2 (1996): 309-36.
Hedrick, Donald. "Male Scruplus Value" Ed. Masten, Jeffrey and Wendy Wall Renaissance Drama 31 (2002): 85-124.
Hutson, Lorna. The Usurer's Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England. London: Routledge, 1994.
Jung, C G. The Basic Writings of C G. Jung. Trans. Violet S. deLaszlo, New York: Random House, 1959.
Kaufman, Michael. "Men, Feminism, and Men's Contradictory Experiences of Power" Ed. Brod, Harry, and Michael Kaufman. Theorizing Masculinities. London: Sage, 1998. 142-63.
Kimmel, Michael S. "Masculinity as Homophobia: Fear, Shame, and Silence in the Construction of Gender Identity" Ed. Brod, Harry, and Michael Kaufman.
Theorizing Masculinities. London: Sage, 1998. 119-39.
Kuriyama, Constance B. "Second Selves: Marlowe's Cambridge and London Friendships" Medieval and Renaissance Drama in England 14 (2001): 86-104.
Levine, Laura. "Men in Women's Clothing: Anti-theatricality and Effeminization from 1579 to 1642" Criticism 28.2 (1986): 121-43.
Lunney, Ruth. Marlowe and the Popular Tradition: Innovation in the English Drama before 1595. New York: Manchester UP, 2002.
Marlowe, Christopher. Doctor Faustus. Ed. Sylvan Barnet. New York: Penguin Books, 2001.
Miller, Jean Baker. Toward a New Psychology of Women Boston: Beacon P, 1976.
Okerlund, A N. "The Intellectual Folly of Dr. Faustus" Studies in Philology. 74.3
(1977):258-78.
Owens, Margaret E. "Desperate Juggling Knacks: The Rehearsal of the Grotesque in Doctor Faustus" Medieval and Renaissance Drama in England 8 (1996): 63-93.
Prieto-Pablos, Juan A. "'What Art Thou Faustus?' Self-Reference and Strategies of Identification in Marlowe's Doctor Faustus" English Studies 74 (1993): 66-83.
Shepherd, Simon. "Representing 'Women' and Males: Gender Relations in Marlowe" Marlowe and the politics of Elizabethan Theatre. New York: St. Martin's P, 1986. 178-207.
Weil, Judith. ""Full Possession": Service and Slavery in Doctor Faustus" Ed. Paul Whitfield White. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. New York: AMS, 1998. 143-54.
Wessman, Christopher. "'I'll play Diana': Christopher Marlowe's Doctor Faustus and the 'Actaeon complex'" English Studies 82.5 (2001): 401-19.
White, Paul Whitfield. "Introduction: Marlowe, History, and Sexuality" Ed. Paul Whitfield

White. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. New York: AMS, 1998.
Woods, Gregory. "Body, Costume, and Desire in Christopher Marlowe" Ed. Summers Claude J. Homosexuality in Renaissance and Enlightenment England: Literary Representations in Historical Context. New York: Haworth P, 1992. 69-84.