本論文的目的是探索美國抽象表現主義畫家威廉．杜庫寧，與十七、十八世紀中國畫家八大山人的作品、筆法、佈局等方面的相似性。雖然兩位畫家的文化和藝術傳統背景極為不同，但是在他們的作品中，顯露出令人吃驚的相似處。
本文試著將威廉．杜庫寧的〈挖掘〉和〈女人一〉與八大山人的〈荷塘禽鳥圖卷〉來做比較。因此，分析兩人對於用筆、線條以及畫面佈局的態度和技巧，可以導致有趣的結果。在這個部份，我也會討論對這兩位有影響的畫派和畫家，包括他們不同的藝術理論以及背景，並且探討這兩位畫家，導致類似姿態繪畫方式的過程。在論文中我也試著探討杜庫寧的融合塊面與線條、行動畫風，並針對創作〈挖掘〉和〈女人一〉的動機，以及八大山人接近抽象的寫意和〈荷塘禽鳥圖卷〉的題材意義，與八大在此圖畫佈局選擇可能性的原因。最後，探索他們在繪畫風格的相似度的意義，與對中國繪畫和西方繪畫的重要性。
希望本論文對於東西方繪畫藝術的研究，能夠有所助益。

The aim of this work is to examine the reason for the striking similarities between some of the works of the American Abstract-Expressionist painter Willem De Kooning（威廉．杜庫寧）and the seventeenth century Chinese painter Bada Shanren（八大山人）. The two artists come from backgrounds as different as one could imagine, yet some of their works, if viewed side by side, are strikingly similar in composition and manner of execution, though not in medium. My thesis focuses on a comparison between Willem de Kooning’s paintings Excavation and Woman I and Bada Shanren’s painting Lotus and Birds.
The similarity between the gestural approaches of the two artists, in my opinion, warrants investigation. I will discuss the various influences as well as the general cultural and art-theoretical backgrounds of both painters’ work, and trace the processes that led to the arrival at such similar results via two completely different routes.
I will discuss the various influences which resulted in Willem de Kooning’s painterly, gestural style, as well as the inspirations behind Excavation and Woman I in particular. I will also trace the path that led to Bada Shanren’s expressive, xie yi （寫意）style and the meaning behind the imagery in Lotus and Birds and the significance of the compositional and technique choices that he made.
Finally I will discuss the significance of the similarity of the two painters’ styles and what this similarity means in the context of the history of the development of Chinese and Western painting.

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論文

黃致為：中國山水中「點」的造形與表現，國立成功大學藝術研究所碩士論文，2003。

Dissertations in English

Shi, Mingfei, Poetry-Calligraphy-Painiting: The Aesthetics of Xing [興] in Zheng Xie[鄭燮] (1693-1765) and Zhu Da [朱耷](1626-1705), Doctoral Dissertation in the Department of Comparative Literature, Indiana University, 1996.

Online Resources

http://www.joetsang.net/art/wgz/wgz.html [accessed June 13, 2011]