本論文嘗試以「音樂」，建構一組「設計方法」，引導設計的過程與結果。並以實際案例的空間演練，驗證此設計方法的能力。

把音樂作為建築的「類比」、或是「啟發」模型，在歷史上常常是被研究的領域。
而本文企圖探索，讓音樂成為建築的「觀念」模型。

首先，從音樂中萃取重要觀念，再將建築與音樂這兩組未知，建立某種關係；它可構成空間，骨子裡仍有音樂的好品質。
藉此，建立形式生成與演變的生產機制。

論文操作包含三個部份：

凝聲 陳述立場以及文獻討論。
制法 透過萃取與轉譯，將音樂轉化成建築上的觀念；並建立系統，探討系統的空間潛 力。
形器 操作實際案例，展現此方法的空間特色。

期待經由此操作，帶來新的筆意。

Based on the structure of music,this thesis intends to establish a set of design method,which
can guide the process and contribute to the final design result.In order to examine the space-formation potentials,a design case with real site is also being tested.

Through the history,to use music as a model of "analogy" or "inspiration" for architecture design has been a common investigation field.It is the thesis intension to explore the possibility of making music as the model of design "conception".

The thesis starts,by abstracting major logic from music,it is possible to bridge some relationship between music and architecture；it can construct quality spaces with music"gene"in it.Hereby,the production mechanism of space formation and transformation is established.

There are three parts of this thesis operation：

1.idea and view point : Arguments about the theoretical position regarding space and documentation research

2.set rules: To discover the inner order of music as a mechanism for spatial production

3.demonstration: Use cases design to present space characters generated by this design Method

劉志明,曲式學,台北：全音樂譜，1999.
Bandur,Markus<Aesthetics of total serialism :contemporary research from music to architecture>Basel:Birkhauser，2001.
Martin,Elizabeth<Architecture as a translation of music>N.Y,Princeton Architectural Press，1994.
Wittkower,Rudolf<Architectural Principles in the Age of Humanism>N.Y:Norton，1971.

論文資料
姜冠勳<音樂調性理論與建築空間形式操作之研究>南藝藝研所，碩論，2004.
謝孟樂<十八世紀西洋建築與音樂創作形式之共通性研究>東海建研所,碩論，1994.