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研究生: 賴姿伶
Lai, Tz-ling
論文名稱: 黑色姊妹:費絲‧林枸《法國集影》中非裔美籍女性主體研究
Black Sisters: A Study of the African-American Female Subjectivity in Faith Ringgold's French Collection
指導教授: 劉瑞琪
Liu, Jui-chi
學位類別: 碩士
Master
系所名稱: 文學院 - 藝術研究所
Institute of Art Studies
論文出版年: 2008
畢業學年度: 96
語文別: 中文
論文頁數: 141
中文關鍵詞: 非裔美籍女性母系傳承擬仿踰越諧擬拼布故事布繪費絲˙林枸重新記憶
外文關鍵詞: Faith Ringgold, quilt, story quilt, parody, mimicry, rememory, transgress, maternal inheritance, African-American female
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  • 本篇論文針對的非裔美籍女性藝術家費絲‧林枸《法國集影》系列是以拼布為基底,結合圖像與文字的故事布繪作品。貫串此作的非裔美籍女主角離開家鄉美國,她來到十九世紀末二十世紀初現代藝術蓬勃的歐洲巴黎,在敘事性的虛構故事中,與現代藝術巨匠和跨時空出現的非裔美籍各領域人士互動。筆者將從圖像分析《法國集影》揭露性別與族裔的雙重政治運作,此系列藉諧擬現代藝術圖像暴露其中的霸權,轉而呈現出黑人女性不同於西方藝術史白人男性中心的差異觀點。作品中女主角則藉著主動的擬仿策略,使她踰越性別、種族界線躋身成為藝術家。同時筆者探討《法國集影》使非裔美籍經驗成為另類的中心,使非裔美籍女性成為表述的主體,在女主角個人的生命歷程回憶中凝聚與繼承族群歷史,加強母系的傳承,召喚非裔美籍女性觀者的認同。透過本論文的撰寫,筆者將突顯《法國集影》對比出具鬆動正典權威感的效果,以及對非裔文化根源認同的自我價值重建。

    This paper treats The French Collection of Faith Ringgold, an African-American female artist. The French Collection is a series of story quilts, combining images and texts, and is painted on the quilt. The heroin throughout this series left her hometown, the United States, for Paris, where the modern art is at its blooming era during the years around the borderline of the nineteenth and the twentieth centuries. In this narrative fiction, she encountered with great masters of modern art and also with African-American figures of all domains coming from different times. I will try to deduce that The French Collection uncovers the double political economy between gender and race by means of image analyses. This series parodies the images in modern art to reveal the masculine-centric hegemony of the White, and transfers to a Black-female’s point of view. The heroin in The French Collection eventually trans- gressed the racial and gender barriers to become an artist by actively taking initiative policy of mimicry. Besides, in this essay I will discuss the alteration of the center expressed in The French Collection, which focuses on the African-American experiences. The African-American heroin is the subject of the narration, her life bears the whole history of the Black and strengthens the maternal inheritance, both of which interpellates the identification of the African-American female spectators. The author will accentuate the artistic effect of contrast in the French Collection, and how it shakes canon. An attention will also be paid to the subject of maternal inheritance of the African culture and the reestablishment of self-evaluation in this series.

    摘要………………………………………………………………………Ⅰ 致謝………………………………………………………………………Ⅲ 目錄………………………………………………………………………Ⅳ 中文圖版目錄……………………………………………………………Ⅴ 英文圖版目錄……………………………………………………………Ⅷ 緒論… ……………………………………………………………………1 第一章 啜飲黑色母親的奶水 ………………………………………18 第一節 重整拼布、布繪與黑人女性……………………………20 第二節 建構非裔美籍女性的美夢………………………………31 第三節 重新記憶非裔美籍女姓被壓抑的過去…………………47 第二章 挑戰西方父權限制的非裔美籍女性…………………………54 第一節 瓦解男性大師雄風的女性藝術…………………………55 第二節 形塑以非裔女性為中心的原始主義……………………67 第三節 以非裔女性主義觀點重新詮釋白人藝術………………76 第三章 積極拾綴非裔美籍女性的母系傳承…………………………86 第一節 凝聚女性力量的非裔女性連結…………………………88 第二節 召喚非裔美籍女性觀者的認同…………………………99 結論 ……………………………………………………………………107 參考文獻 ………………………………………………………………111 圖版 ……………………………………………………………………118 表 1《法國集影》相關圖像對照表 …………………………………133 表 2《法國集影》系列中各作品出場人物表 ………………………137

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