臺灣東部中央山脈與海岸山脈分別提供性質差異顯著的製陶原料，然而過往對於史前陶器「本地陶」與「外來陶」的判定，多依陶質、技術、文化風格或地質特徵等不同標準，致使陶器來源及人群互動的詮釋存在差異。本研究重新檢視臺灣東部本地陶的判定標準，整合岩象學、地球化學與資源域分析，比較主流陶與遺址周邊土壤資源，以探討史前陶工的原料選擇策略，並重新評估四處遺址主流陶的來源。
本研究以荖山、瑞北、松浦及港口四處史前遺址為研究對象，整合偏光顯微鏡岩象分析、便攜式X射線螢光分析儀（pXRF）、微區X射線螢光光譜儀（Micro-XRF）、X光繞射儀（XRD）及地理資訊系統資源域分析，比較陶片與遺址周邊土壤及河流沉積物之岩象、化學與黏土礦物組成。
研究結果顯示，四處遺址主流陶多屬本地取材，陶工在原料選擇上主要受到距離成本、資源可及性及文化傳統等因素共同影響。值得注意的是，荖山一、二類陶雖與花岡山文化部分主流陶器具有相似文化風格，但其地球化學特徵（尤其Cr/Ni比值）明顯不同，顯示兩者可能分別利用各自所在地的原料製陶，反映共同文化傳統下的地方化生產，而非外來陶輸入。
本研究認為，本地陶的判定應建立於地質來源、技術選擇與文化脈絡的多角度整合證據，而非僅依單一標準判斷，如此才可以更全面的視角理解臺灣東部史前社會的資源利用策略與文化互動。

Eastern Taiwan comprises two contrasting geological areas, the Central Range and the Coastal Range, which provide ceramic raw materials with distinct geological characteristics. Previous studies have identified locally produced and non-local pottery using different criteria, leading to inconsistent interpretations of pottery provenance and prehistoric interaction. This study re-examines the concept of locally produced pottery by integrating petrographic, geochemical, and site catchment analyses.
Four prehistoric sites, Laoshan, Ruibei, Songpu, and Gangkou, were investigated, where unearthed pottery sherds and on-site soil and fluvial sediment samples were compared, employing petrographic analysis, portable X-ray fluorescence（pXRF）, micro-XRF, X-ray diffraction（XRD）, and GIS-based catchment analysis.
The results indicate that the dominant pottery assemblages at all four sites were primarily produced from locally available raw materials. Raw material selection was influenced by transportation cost, resource availability, and cultural tradition. Although Type I and Type II pottery from Laoshan closely resemble Huagangshan Culture pottery in style, their geochemical signatures, particularly the Cr/Ni ratio, differ significantly, indicating independent local production rather than the importation of finished vessels.
This study demonstrates that the identification of locally produced pottery should integrate geological, technological, and archaeological evidence rather than rely solely on stylistic characteristics, providing a more comprehensive understanding of prehistoric ceramic production and resource use in eastern Taiwan.

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