本研究以「苦路（Via Crucis）」為核心主題，結合天主教敘事神學、金屬工藝創作與實踐導向研究（practice-based research），探討藝術創作如何成為宗教敘事與當代意義轉化的媒介。研究者同時作為「作者—藝術家—研究者」（author-artist-researcher），在創作與理論之間進行交互辯證，建立一套結合敘事、材料與信仰意涵的創作方法。
本研究首先從文獻回顧出發，梳理天主教敘事傳統與《苦路》圖像發展歷史，分析聖經敘事的傳播機制、宗教圖像的象徵系統，以及金屬工藝在宗教藝術中的角色。進一步探討銅材質之物質性（materiality）、可塑性與轉化特質，並分析其如何承載情感、時間與信仰意義。
方法上，本研究採取敘事研究取向，結合詮釋學中的「視域融合」（Horizontverschmelzung）與歷史效應觀點，並透過反思性實踐（Reflective practitioner）、創作紀錄與金屬成形技術操作，建構完整的創作與研究流程。
研究成果呈現為一系列以銅為媒材的十四處苦路藝術作品，從草圖、造形到最終展示，逐步發展出融合傳統宗教內容與當代表現語彙的視覺敘事形式。作品不僅重新詮釋耶穌受難歷程，也透過金屬表面處理與造形語言，展現情感張力與精神深度。此外，研究亦透過展覽實踐、戶外展示與模擬展示環境，分析觀眾參與、公共回應與宗教儀式中的藝術功能。
研究結果顯示，金屬工藝是一種技術媒介，亦能成為一種敘事載體，能夠在物質轉化過程中累積並釋放情感能量。銅材的物理特性與限制同時形塑創作語言，使藝術家在限制中發展出獨特表現形式。藝術實踐與觀眾互動亦證明宗教藝術在當代仍具有強烈的感知與共鳴能力。
本研究之貢獻在於：（1）建立金屬工藝作為敘事媒介的理論架構；（2）拓展實踐導向研究在宗教藝術中的應用；（3）提出藝術創作中情感積累與釋放的動態模型。最後，本研究亦提出方法論反思與未來研究建議，作為後續跨領域藝術與神學研究之參考。

This study centers on the Via Crucis (Way of the Cross), integrating Catholic narrative theology, metalworking art, and practice-based research to investigate how artistic creation functions as a medium for religious narration and contemporary transformation of meaning. The researcher assumes the role of an “author–artist–researcher,” engaging in a dialectical process between theory and practice to construct a creative methodology that synthesizes narrative, materiality, and faith.
The study begins with a comprehensive literature review, examining the narrative traditions of Catholicism and the historical development of the Via Crucis imagery. It analyzes the communicative processes of biblical narratives, the symbolic system of religious images, and the role of metal craftsmanship in sacred art. Particular attention is given to the materiality of copper—its malleability, processability, and transformative qualities—and how these properties embody emotional, temporal, and spiritual dimensions.
Methodologically, the research adopts a narrative approach grounded in hermeneutics, incorporating the concept of the “fusion of horizons” (Horizontverschmelzung) and the notion of effective history. It is further supported by reflective practice, systematic documentation, and hands-on metal forming processes, forming a comprehensive framework that bridges artistic practice and academic inquiry.
The research outcomes are presented through a series of fourteen Via Crucis artworks created in copper. From sketching and shaping to final presentation, the works develop a visual narrative language that integrates traditional religious themes with contemporary artistic expression. These artworks reinterpret the Passion of Christ while conveying emotional intensity and spiritual depth through metal surface treatment and form.
In addition, the study explores exhibition practices, including gallery display, outdoor installations, and simulated environments, to analyze audience engagement, public response, and the function of art within religious rituals. Findings indicate that metalworking serves not merely as a technical medium but as a narrative vehicle capable of accumulating and releasing emotional energy through material transformation. The physical properties and limitations of copper also shape artistic language, fostering innovation within constraints.
This research contributes to: (1) establishing a theoretical framework for metalworking as a narrative medium; (2) expanding the application of practice-based research in religious art; and (3) proposing a dynamic model of emotional accumulation and release in artistic creation. Finally, methodological reflections and suggestions for future research are offered to support interdisciplinary studies in art and theology.

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