| 研究生: |
潘貞珍 Pan, Chen-Chen |
|---|---|
| 論文名稱: |
力流-舞蹈極限之於空間的組成 Flowing Movements:The Extreme of Dance towards the Composition of Sapce |
| 指導教授: |
王明蘅
Wang, Ming-Hung |
| 學位類別: |
碩士 Master |
| 系所名稱: |
規劃與設計學院 - 建築學系 Department of Architecture |
| 論文出版年: | 2004 |
| 畢業學年度: | 92 |
| 語文別: | 中文 |
| 論文頁數: | 73 |
| 中文關鍵詞: | 方向與動態 、轉化模組 、時間與空間 、力場 |
| 外文關鍵詞: | Field of Strength, Time & Space, Transferring Mechanism, Direction & Dynamics |
| 相關次數: | 點閱:136 下載:6 |
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舞蹈在特定情境下,是一種在空間中具體呈現時間的一種藝術,若建築可以被定義為一種“凝結的音樂”而音樂本身又是可以在無形之中讓人感覺空間存在的一種媒介,則建築將背負著在精準的涵構中再現空間的責任。
哲學之所以大多忽略舞蹈,是因為常將這門藝術歸類為美術裏的雕塑類別中;而這三門藝術:舞蹈、建築及音樂,雖然以不同的手段來各自呈現,卻都有本質上的相同,那就是節奏和速度。但舞蹈本身之所以能和這兩門藝術分開,是因為屬於動作本質間所外顯的方向變化,而方向的流動和律動的身體所內蘊的肢體極限有著密切的關係,場域於是形成,而場域間的組合變化,即形成舞蹈美學的主要元素。
論文的研究分成下列階段進行:
執美:舞蹈的美學特質是討論律動自由之於肢體動作的極限涵義。
譯舞:以科技設備捕捉舞蹈的精準紀錄,觀察律動的內蘊與外顯的變動過程。
轉義:建立舞蹈與空間的轉化機制,呈現力量的流動模組,討論變位下的自由與彈性。
見章:空間與時間的組成狀態與變化差異。
Dancing, is one kind of many forms in the domain of art, which enables the concept of “time”to be experienced within spaces. If Architecture to be defined as certain kind of “frozen music”and the music itself to be considered as a kind of“medium” which allow us to feel the existence of spaces, imperceptibly; Architecture is also liable fully for the representation of spaces within the exact context, critically.
Rarely included into the defined range of philosophy, Dancing is usually classified into the same form of category as sculpture in art. Having the similar essential qualities in nature, the rhyme and speed; Dancing, Architecture and Music can be still segregated one from the others in each of their own different ways. Furthermore, the vivid changes of direction between the essence of motions is what really makes the Dancing stands out from the other two above said forms of arts.
With the flowing of directions in dancing which is heavily related to the extremes of our body movements, the Field is then formed and the combination and variation among all the fields creates the themes of esthetics.
The Thesis includes four major subjects in sequence as follows:
Holding Esthetic : The esthetic essentials of dancing is laid in the very true meaning of the extreme of body movements as well as the liberty motions.
Encoding Dances : To observe the both internal and external transform proceeding of dynamic movements by using modern scientific equipments to capture then obtain the accurate recording of dances.
Decoding Translation : To establish the transferring mechanism between dancing and space, presents the possible models of flowing strength and to discuss the liberty and the flexibility due to the shifting of Fields.
Spatial Forms : Finding of the establishment and variation of space and time.
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