| 研究生: |
沈寧 Shen, Ning |
|---|---|
| 論文名稱: |
Picks對於吉他聲音影響之研究 A study of the effect of picks on the Guitar sound |
| 指導教授: |
周榮華
Chou, Jung-Hua |
| 學位類別: |
碩士 Master |
| 系所名稱: |
工學院 - 工程科學系 Department of Engineering Science |
| 論文出版年: | 2015 |
| 畢業學年度: | 103 |
| 語文別: | 中文 |
| 論文頁數: | 81 |
| 中文關鍵詞: | 吉他 、Picks 、泛音強度 、全因子實驗設計法 |
| 外文關鍵詞: | Guitar, picks, harmonic intensity, full factorial experimental design |
| 相關次數: | 點閱:146 下載:3 |
| 分享至: |
| 查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
弦樂器中,吉他的演奏在音樂領域佔了很重的份量。想要演奏出動人好聽的樂曲,除了熟練的技巧,更需要一把合適的吉他。演奏吉他時,會使用撥片(Picks)來代替手指彈奏,而不同種類的 Picks,對於吉他聲音的泛音強度也不同。本研究利用全因子實驗設計法,探討 Picks 對於吉他的聲音特性分析,改變 Picks 的幾何條件。選擇 Picks 的厚度、角度、材質,作為全因子實驗設計法的變因,目的為創造高泛音強度的 Picks。
發現使用單音撥弦Picks 的控制因子對第一弦泛音強度的影響力為:Picks厚度> Picks材質。對第二弦泛音強度的影響力依序為:Picks角度> Picks厚度。對第三弦泛音強度的影響力依序為:Picks厚度> Picks材質。對第四弦泛音強度的影響力依序為:Picks厚度> Picks材質。對第五弦泛音強度的影響力為:Picks厚度。對第六弦泛音強度的影響力依序為:Picks厚度> Picks角度。
使用連續音撥弦Picks 的控制因子對第一弦泛音強度的影響力為:Picks厚度。對第二弦泛音強度的影響力依序為:Picks厚度> Picks角度。對第三弦泛音強度的影響力依序為:Picks角度> Picks厚度。對第四弦泛音強度的影響力依序為:Picks厚度> Picks角度。對第五弦泛音強度的影響力依序為:Picks厚度> Picks角度。對第六弦泛音強度的影響力依序為:Picks材質> Picks厚度。
統合實驗結果,發現要製造高泛音強度的Picks ,三個因子當中,Picks厚度對泛音強度為影響十分顯著的因子。
In this study, a full factorial experimental design is used to explore the sound characteristics of guitar picks. The factors chosen are pick geometry, thickness, angle, and texture. The goal is to find picks which can higher harmonics.
The effect of factors on single tone of the first string harmonic intensity is as follows: thickness > materials. For the second string, it is angle > thickness. For the third string, it is thickness > materials. For the fourth string, it is thickness > materials. For the fifth string, it is mainly thickness. For the sixth string, it is thickness > angle.
The effect of factors on continuous tone of the first string harmonic intensity is mainly thickness. For the second string, it is thickness > angle. For the third string, it is angle > thickness. For the fourth string, it is thickness > angle. For the fifth string, it is thickness > angle. For the sixth string, it is materials > thickness.
According to the experimental results, the higher harmonics intensity is significantly affected by the thickness of picks.
[1] J. Meyer, “The function of the guitar body and its dependence upon constructional details”, Publications Royal Swedish Academy of Music,vol.38, 77-100, 1983.
[2] J. Meyer, “Quality aspects of the guitar tone”, Publications Royal Swedish Academy of Music, vol. 38, 51-75, 1983.
[3] A. Ezcurra, “Influence of the material constants on the low frequency modes of a free guitar plate ”, Journal of sound and vibration, vol. 194(4),640-644, 1996.
[4] Boullosa, R.R., “Vibration Measurements in the Classical Guitar,” Applied Acoustics, vol. 62, pp. 311-322,2002.
[5] French, M., and Hosler, D., “The Mechanics of Guitars,” Experimental Techniques, vol. 25, No. 3, pp. 45-48, 2001.
[6] French, M. and Bissinger, G., “Testing of Acoustic Stringed Musical Instruments-an Introduction,” Experimental Techniques, vol. 25, No. 1, pp. 40-43,2001.
[7] French, M. and Bissinger, G., “Mechanics of Stringed Instruments,” Experimental Techniques, vol. 25, No. 2, pp. 34-37,2001.
[8] McLachlan, N., “The Application of New Analyses and Design Methods to Musical Bells,” 75th Acoustical Society of America conference, New York, pp. 1-8,2004.
[9] 蘇集銘,吉他弦之振動與聲音特性探討,中華民國音響學會第十九屆學術研討會,台南,論文編號:C-11,2006。
[10] 王栢村,黃國棟,「吉他之振動特性與模態分析」,中華民國音響學會第十七屆學術研討會論文集,高雄,第197-204頁,2004。
[11] 王栢村,李雨軒,張志偉,「銅鑼振動與聲音特性之探討」,第十一屆中華民國振動與噪音工程學術研討會,台北,第245-252頁,2002。
[12] 林彥志,應用有限元素法於古典吉他響板力木系統之模態分析,國立嘉義大學林產科學暨家具工程學系研究所碩士論文,2011。
[13] 林暄智,吉他琴體建構及振動模擬分析,國立成功大學機械工程學系碩士論文,2013。
[14] 林冠廷,全尺寸小提琴有限元素模型之建立,國立成功大學機械工程學系碩士論文,2012。
[15] 李輝煌,“田口方法:品質設計的原理與實務,” 高立圖書有限公司出版,2011 年。
[16] 王栢村,陳品豪,吳銘鋒,董時沛,聲音模擬程式之發展與應用,中華民國振動與噪音工程學會第二十三屆學術研討會論文集,台北,第205-211頁,2010。