研究生: |
陳庭瑩 Chen, Ting-Ying |
---|---|
論文名稱: |
聲音地景重塑場域連續性_以福安坑溪為例 Rebuild the Continuity Places by Soundscape_The Case of Fu An Kung River |
指導教授: |
吳光庭
Wu, Kwang-Tyng |
共同指導教授: |
沈揚庭
Shen, Yang-Ting |
學位類別: |
碩士 Master |
系所名稱: |
規劃與設計學院 - 建築學系 Department of Architecture |
論文出版年: | 2020 |
畢業學年度: | 109 |
語文別: | 中文 |
論文頁數: | 96 |
中文關鍵詞: | 聲音地景 、生成式聲音 、虛實共構 、連續性場域 |
外文關鍵詞: | Soundscape, Sonification, Virtual Reality, Continuous Space |
相關次數: | 點閱:236 下載:35 |
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本論文以聲音地景探討在五感中之聽覺與都市空間的關聯性,人們如何在新科技中利用聲音生成虛擬介面體驗都市與改變都市,亦藉由此虛擬介面來找回過去已逝去的城市面貌,打破現有的都市規劃之框架,讓聲音地景在都市中形成連續性的介面串連。以非視覺性破壞、非實體空間改造的方式介入生活空間的概念下,進行都市中街區與街區之間跨域治理的設計,並期望聲音於都市中生成自明性。
首先描述本論文研究背景、目的與研究架構,並概述研究範圍以探討新型態都市規劃與介入生活場域的模式。透過過去聲音之相關背景與發展來探討聲音聽覺與生活的相互關係,並藉由這些研究來探討未來聲音發展的可能性。以台南福安坑溪作為研究範圍,探討福安坑溪場域中的基地涵構,並將基地場所解構分析。藉由前面所提及之聲音脈絡來提出新的聲音生成介入場所將場所聲音化,使聲音在全球化下各個空間之聲音無識別性的狀態中產生自明性。以兩種使用方向:探索福安坑、日日福安坑作為使用路徑的規劃與設計。最後,透過聲音生成的測試評估,重新檢討聲音生成的過程,並提出未來參與式設計的發展。發現未來可以透過這種模式在一定的時間內透過虛擬聲音的生成加上實際環境的體驗來發展都市中區域與區域之間的串連,更是能夠將都市發展中無法挽回的歷史樣貌藉由聲音尋找回我們的記憶當中。在不同的時空背景下,也可以發展體驗者之於場所經驗的聲音,透過大眾的角度來共同創造我們聽見的聲音。
This thesis explores the connection between the sense of hearing in the five senses and urban space with soundscape. How can people use sonification in virtual interfaces to experience the city and change the city, and use this virtual interface to retrieve the past of the city, and breaks the existing framework of urban planning, allowing the soundscape to form a continuous interface in the city. With non-visual destruction of living space, and expect sound to be self-explanatory in the city.
First, describe the research background, purpose and research framework of this thesis, and outlines the research scope to explore the new urban planning and the mode of intervention in the city. Explore the relationship between sound hearing and life through the related background and development of sound, and uses these studies to explore the possibility development of sound in the future. Take Fu An Kung River in Tainan as the site to research, discusses the context of Fu An Kung River, and deconstructs the places of Fu An Kung. Use the background of sound to propose a new way of sonification to intervene to the places, so that the sound will be self-evident in the state of unrecognizable sound in each space under globalization. There are two ways planning the routes in the design, one is exploring Fu An Kung River and the other one is daily in Fu An Kung River. At the end, review the process of sonification through the test, and proposes the development in the future about participatory design. In the future, through the virtual sounds and the experience of the actual environment, the connection between regions in the city can be developed through this mode in a certain period of time. It is also a reference to the irretrievable historical appearance of the development city to find it back to our memory by the sound. Under different time and space, it is also possible to develop the voice of the experience at the places, and co-create the sound we hear through the perspective of the public.
外文文獻
Anna Giudice,(2015),Soundscape Looks Like Music,Department of Design and Architecture Master of Design,Iceland Academy of the Arts,Iceland.
Constantinos Stratoudakis & Kimon Papadimitriou,(2007),A Dynamic Interface for the Audio-Visual Reconstruction of Soundscape, Based on the Mapping of its Properties,department of Music Studies,Ionian University & Department of Rural and Surveying Engineering,Aristotle University of Thessaloniki,Greece.
Manon Raimbault & Danie`le Dubois,(2005),Urban Soundscapes: Experiences and Knowledge,Published by Elsevier Ltd.,France.
中文文獻
王俊秀。(2001年12月)。〈音景的都市表情:雙城記的環境社會學想像〉。《國立台灣大學建築與城鄉研究學報》,10,頁89-98。
李光中。(2009年7月)。〈文化地景與社區發展〉。《科學發展》。花蓮縣:東華大學生態與環境教育研究所。
蕭伊玲、吳雅婷。(2017)。〈聲響的政治:從殖民現代性看日治時期聲音地景〉。《南藝學報》,14,頁1-25。
許肄亞、郭乃文。(2017年11月)。〈以社區聲景地圖探討社區認同感:以桃米社區為例〉。《地理研究》,67,頁81-108。
李家敏。(2013)。〈城市聲景〉。《文化研究@嶺南》,34:在地香港。
張玉璜、顏世樺等。(2019)。〈福安坑溪成果報告書〉。台南市:古都保存再生文教基金會。
蘇暐婷。(2015)。《由文化音景之再現重構台南中西區聲音經驗》。國立成功大學創意產業所碩士論文,台南市。
屠荊清。(2017)。《音景對都市公園環境感知影響之研究》。國立台灣大學生物資源暨農學院園藝暨景觀學系碩士論文,台北市。
何東洪、鄭慧華、羅悅全等。(2015)。《造音翻土:戰後台灣聲響文化探索》。台北市:遠足文化。
線上資料
百年歷史地圖:http://gissrv4.sinica.edu.tw/gis/twhgis/
融聲創意zone sound:https://medium.com/zone-sound-creative
聽覺及聲音哲學:https://www.thestandnews.com/philosophy/%E8%81%BD%E8%A6%BA%E5%8F%8A%E8%81%B2%E9%9F%B3%E5%93%B2%E5%AD%B8%E7%B0%A1%E4%BB%8B-%E4%B8%8A-%E8%81%B2%E9%9F%B3%E6%98%AF%E4%BB%80%E9%BA%BC/
Radio Aporee:https://aporee.org/maps/
用聲音建構當代城市文化性格:http://3generation.natural-way.com.tw/%E7%94%A8%E8%81%B2%E9%9F%B3%E5%BB%BA%E6%A7%8B%E7%95%B6%E4%BB%A3%E5%9F%8E%E5%B8%82%E8%88%87%E6%96%87%E5%8C%96%E6%80%A7%E6%A0%BC%EF%BD%9C-%E5%90%B3%E7%87%A6%E6%94%BF%EF%BC%8C%E5%B3%B6%E5%B6%BC%E7%9A%84/?fbclid=IwAR0N90XMiSYKnBX1Qo4BrtXsPQgBiM-cbtzR53Q9NqS9QtqBFGjJs1Vq_yE
目目文創:https://vivocc77.shoplineapp.com/
色彩心理學:https://www.a-life.com.tw/trend/?p=3392