文化資產是連結地方記憶與歷史發展之媒介。經歷《威尼斯憲章》、聯合國教科文組織（UNESCO）國際趨勢，保存範疇由陸地擴及海洋。綜觀國外現有研究多偏重生態與經濟面向，社會文化面向相對欠缺，特別是漁村文化中，人們從事海上活動及取用海洋資源所形塑出的產業空間，較少受到文化關注。因此，本研究聚焦漁業文化資產，基隆八斗子因日治時期現代漁業建設，與周邊地區形成密切的漁業互動與技術傳承歷史。然而，基隆市政府文史計畫尚未系統性納入八斗子，海科館推廣亦偏觀光導向，空間精度較低，缺乏對敘事與文化資源的空間指認及主題性建構。
本研究採取敘事地圖方法論，藉由歷史大敘事了解空間變遷脈絡，初步繪製漁村漁業空間盤點地圖作為訪談基礎。地方微敘事聚焦1975年八斗子築港前的漁村，透過文本分析、深度訪談與焦點團體等方法收集資料。依循文獻彙整之時間、主題、空間、敘事、角色、結論六敘事分析要素，作資料初步分類、敘事組織。以近海與沿岸漁業、陸地漁業作業及漁村生活為框架盤點子敘事，進而組構敘事線，以經濟產業面為主，引出環境生態面、社會文化面之敘事線，建構三個主題故事，重塑漁村敘事線及敘事地圖，分析敘事線下空間、文化資源、角色等文化意義。
敘事地圖疊合顯示，故事一漁村海陸交融的漁業日常揭示漁村從捕魚至販售橫跨崁仔頂、社寮島、八斗子三地之作業流程，以及內部沿岸採集、漁網漁船修繕等支援性工作，並新增鰹漁業敘事線，講述鰹魚產業與在地焚寄網漁業之供需關係。故事二消失的漁村地景記憶，揭示聚落形成、形成陸連島、築港後沙灘消失三次地景轉變，沙灘承載產業與生活雙重敘事，環境轉變與地方記憶緊密疊合。故事三產業節奏下的漁村生活與信仰，涵蓋咕咾石厝居住、冬季副業與沿岸採集等日常生活敘事，及對應漁業時節之媽祖繞境與新船下水儀式，展現重要的集體記憶。此外，鼻仔頭、七斗仔、八斗仔沙灘聚焦多元敘事，沿岸採集記憶串聯出三條歷史路徑。在角色層面，呈現漁村角色分工及活動空間差異，漁民從事跨區域漁撈作業，婦女則負責陸地漁獲處理與生活事務，孩童遊戲兼生計採拾資源。文化資源部分，咕咾石厝、北部火力發電所、舢舨船三項橫跨三個主題故事，前兩者共同反映地理環境變化，延續地方微敘事下產業、環境影響之居住記憶與副業樣貌，後者則為產業方面之作業使用，抑是節慶儀式的文化代表物。上述文化資原雖然多已消失或轉型，仍為八斗子文化保存與導覽規劃的核心依據，建議未來發展導覽式文化推廣模式，將敘事引導至社區實體場域，作為八斗子文化規劃或歷史保存之知識基礎。

Cultural heritage links local memory with historical development. Expanding on inter-national trends, heritage conservation has extended from land to marine environments. However, existing studies emphasize ecological and economic dimensions, largely ne-glecting the social and cultural significance of industrial spaces shaped by fishing ac-tivities. Addressing this gap, this study focuses on Badouzi, Keelung,a location with a rich history of regional fishery interaction and technological transmission since the Japanese colonial period, yet lacking systematic cultural conservation and spatially precise narratives.

Adopting narrative mapping, this study investigates pre-1975 Badouzi through text analysis, in-depth interviews, and focus groups. Historical macro-narratives provide spatial context, while local micro-narratives capture pre-harbor memories. Based on six literature-derived elements : time, theme, space, narrative, character, and conclu-sion.Data were organized across offshore and coastal fisheries, land-based operations, and village life. Driven primarily by economic-industrial aspects, these narrative lines further incorporate environmental and socio-cultural dimensions to construct three thematic stories and map the cultural significance of spaces, resources, and social roles.

The overlaid narrative maps reveal three integrated thematic stories. The first story, "Fishery Daily Life Blending Land and Sea," outlines operations across Kan-a-ting, Sheliao Island, and Badouzi, alongside internal support tasks and the supply-demand dynamic between the bonito industry and local torch-light netted fisheries. The second story, "Memories of the Vanished Fishing Village Landscape," highlights major spatial transformations, including settlement formation, tied-island formation, and post-harbor beach disappearance, demonstrating how environmental shifts closely overlay local memory. The third story, "Fishing Village Life and Faith under Industrial Rhythms," details daily routines such as living in coral stone houses and winter side-line activi-ties, alongside seasonal rituals like Mazu pilgrimages and boat launchings.

Additionally, Bizitou, Qidouzai, and Badouzai beaches anchor diverse narratives, where coastal harvesting memories delineate three historical paths. Social roles reflect a clear division of labor, where men fished cross-regionally, women managed pro-cessing and household affairs, and children gathered resources while playing. Three key cultural resources. Coral Stone Houses, the Northern Thermal Power Plant, and Sampan Boats span all three thematic stories, reflecting environmental changes, indus-trial memories, and ritual symbolism. Though mostly vanished or transformed, they serve as crucial knowledge bases for cultural conservation and physical community guided tours in Badouzi.

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