空間組織而成的地景樣貌反映著時代變遷下材料與營造技術的轉變；材料的使用更代表著地方的產業文化與記憶。擁有咾咕石空間地景的澎湖，過去由環境中採集咾咕石作為主要營造材料，然而後期在禁採咾咕石的政策下開始出現了地方材料營造的斷層，取而代之的是通用的水泥，屬於澎湖的空間地景正逐漸在材料的取代、營造模式的改變下消逝。
本研究以澎湖海邊長年大量淤積，影響環境生態的自然退役材砂砱，以完整狀與粉狀砂砱和鹼激發循環漿體澆灌進行膠結實驗；探討以地方砂砱、砂砱材料製造、材料單元組構，形成地方構築系統，使砂砱成為地方空間新零件進行空間修補與再造。和傳統咾咕石的疊砌營造比較，砂砱材料的單元化、模矩化與可拆解的營造系統，可為地方材料構築建立新的空間地景營造與地方材料的延續性。
論文設計以澎湖白坑灰窯基地作為砂砱材料空間構築的示範場域，以三處舊有空間、五項空間設計手法介入，營造方法以可簡易自造構築砂砱牆體與單元磚體的澆灌構築為主，回應延續地方材料的在地構築，同時解決退役砂砱淤積的環境問題。在當代普遍的水泥營造成為主力下，從地方材料出發的營造顯得更為重要與具備未來的潛力，任何地方都值得建立一套由地方零件製造到地方空間自造的設計營造系統。

The landscape of the spatial organization reflects the transformation of materials and construction technology under the change of the times; the use of materials represents the local industrial culture and memory. Penghu, which has a solid spatial landscape of coral stone, collects coral stone as the primary construction material in the environment. However, in the later period, there is a gap in the usage of the local material construction after the policy of prohibiting the mining of coral stone begins to be implemented. As a result, the local material construction of the coral stone was replaced by general cement. The spatial landscape in Penghu was gradually disappearing under the substitution of materials and the change of construction mode.
In this study, a large amount of siltation by the seaside of Penghu was used for many years, which affects the environment and ecology of the natural decommissioned material coral gravel. The unit structure forms a local material construction system, making the coral gravel a new part of the local space for space repair and reconstruction. The construction system establishes the continuity of new space and landscape construction and local materials for the construction of local materials.
The research and design take the Penghu Baikeng ash kiln base as a demonstration site for coral gravel material space, intervenes with three old spaces and five space design methods, and the construction method is self-constructed straightforward to construct coral gravel walls and unit brick bodies. It is mainly based on watering and construction and responds to the environmental problems of continuing local construction of local materials and decommissioned coral gravel siltation. With the prevailing contemporary cement construction as the main force, construction based on local materials is more important. It has future potential, and it is worth establishing a design system from local parts manufacturing to local space self-made in any place.

中文書目
[1] 林世超、張宇彤 著，《澎湖傳統合院與歷史建築》，澎湖縣立文化中心 出版，1997
[2] 林文鎮、吳旭峰 著，《澎湖的傳統產業建築》，澎湖縣文化局 出版，2001
期刊論文
[1] 中華民國景觀學會，〈澎湖南方四島菜宅景觀保存與活化再利用成果報告書〉，海洋國家公園管理處成果報告書，澎湖縣，2014
[2] 王愛國、呂邦成、劉開偉、馬雪、徐海燕、譚京梅，〈珊瑚骨料混凝土性能及微结構的研究進展〉，材料導報，第32卷第5期，安徽建築大學安徽省先進建築材料重點實驗室、西南科技大學材料科學與工程學院，2018
[3] 林怡菁，《常民產業文化資產的價值探討與再生研究-以澎湖縣湖西鄉菓葉村灰窯為例》，碩士論文，東方設計學院，2001
[4] 呂金鎖，《澎湖本島鄉村現代民宅形式形成之研究》，碩士論文，成功大學，1995
[5] 周介一，《澎湖農漁業活動及空間使用》，碩士論文，中原大學，1997
[6] 陳怡安，《澎湖傳統民宅營建之社會生活面考察》，碩士論文，中原大學，1997
[7] 張宇彤，《澎湖地方傳統民宅營造法探微》，碩士論文，東海大學，1991
[8] 歐新通，《澎湖地區咾咕石建築灰漿之研究》，碩士論文，成功大學，2004
外文參考資料
[1] Zhao, Z., Lu, Q., and Jiang, X., An., An Energy Efficient Building System Using Natural Resources: Superadobe System Research, Science Direct, Procedia Engineering 121, pp. 1179-1185, 2015.
網路資料
[1] 國家圖書館臺灣記憶系統, https://tm.ncl.edu.tw/
[2] ArchDaily, 材料大師: 王澍和陸文宇的傳統瓦片, https://www.archdaily.
[3] Designverse 設計宇宙, 王澍：中國建築的未來不能拋棄它的過去, https://www.designverse.com.cn/
[4] iskaa建築之旅, “隈研吾”ちょっ蔵広場, https://iskaa.net/architecture/cyokkura-square/
[5] 隈研吾建築都市設計事務所, https://kkaa.co.jp/
[6] CalEarth, https://www.calearth.org/
[7]Penghu.info, https://penghu.info/
[8]澎湖日報,澎湖空心磚業的興衰, https://blog.xuite.net/penghu.dialy/blog/6507687