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研究生: 簡維新
Chien, Wei-Hsin,
論文名稱: 當色彩與神聖相遇:畫家的贊助關係——以提香肖像畫〈教宗保祿三世與其孫〉為例
The Encountering: the Patronage of Painter, A Case Study of Painting of Titian 'Pope Paul III and His Grandsons'
指導教授: 吳奕芳
Wu, Yi-Fang
學位類別: 碩士
Master
系所名稱: 文學院 - 藝術研究所
Institute of Art Studies
論文出版年: 2017
畢業學年度: 105
語文別: 中文
論文頁數: 187
中文關鍵詞: 藝術贊助肖像畫作〈教宗保祿三世與其孫〉提香法爾內賽家族
外文關鍵詞: Patronage, Pope Paul III and his Grandsons, Titian, the Farnese
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  • 威尼斯畫派大師提香(Tiziano Vecellio, c. 1488/90-1576)曾透過權貴家族贊助的形式繪製無數肖像畫,過往以提香肖像畫與其贊助者關係的研究中多半著重在查理五世與哈布斯堡家族等發展上,針對法爾內賽家族的相關創作著墨相對較少。 本文研究群像肖像畫〈教宗保祿三世與其孫〉,藉以釐清提香與教宗保祿三世、及其法爾內賽家族之間的藝術贊助關係;同時,梳理提香針對此家族所委託的創作發展脈絡,理解此畫作的傳統與創新,分析此畫作畫作與法爾內賽家族的藝術贊助發展。本研究發現提香的〈教宗保祿三世與其孫樞機主教亞歷山大及奧塔維歐〉肖像畫,藉由與法爾內賽家族的贊助關係與影響,發展出有別以往的創作風格,理解此畫所具有的政治及宗教上可能意義,補足在研究提香的贊助發展上與法爾內賽家族之間贊助關係等之研究。

    SUMMARY

    This dissertation focus on the patronage of Titian through one of this painting, ‘Pope Paul III and His Grandsons’ with methods of Literature Research and Iconography. As results, the style of this portraiture is indeed influenced by specific tastes of Pope Paul III and his belonging family, the Farnese, and a crucial artwork manifesting their social status with the power connected. Titian’s networks behind this painting reveals a megascopic picture of historical background, this dissertation concludes patronage background among Titian and Pope Paul III was taking a part of the Council of Trent, following the Counter Reformation, as the reinforcement into the pages of Titian’s patronages.

    The master painter of Venetian School, Titian (c. 1488/90-1576), painted numerous works about portraits of figures by diverse connections with noble families and its courts, most of the studies regarding to his relationship with Emperor Charles V and the Habsburg Family in the filed of Titian’s patrons and patronages. There are less systemtic arrangements concerntrating on the relationship among Titian and the Farnese Family. This dissertation focus on one of Titian’s portrait, ‘The Pope Paul III and his nephews’ (Italian: ‘Papà Paolo III e suoi Nipoti Alessandro ed Ottavio’ ) and based on the painting his patronage with Pope Paul III and the Farnese. Furthermore, to clarify its traditions and creativities of the painting through carding the development among Titian and the Family, and to analyze as well the possible means of politics and religion. This dissertation then concludes the patronage of Titian and Pope Paul III is indeed significant. Under the patronage with the Farnese family, Titian’s work, ‘Pope Paul III and his Nephews’, is created as a blend with the style differentiating from his previous paintings.

    本文目次 圖像目錄 VIII 表格目錄 XIII 緒論 1 研究動機 1 研究目的 2 文獻回顧 3 研究方法 11 研究步驟 12 研究範圍 14 研究對象 15 研究限制 16 第一章、提香的時代與贊助關係 19 第一節、提香的創作發展 21 第二節、提香時代的社會、政治與宗教 35 第三節、提香與兩位贊助人:查理五世與教宗保祿三世 66 第二章、提香肖像畫〈教宗保祿三世與其孫〉的贊助探析 72 第一節、法爾內賽家族與〈教宗保祿三世與其孫〉 75 第二節、〈教宗保祿三世與其孫〉的誕生 91 第三節、〈教宗保祿三世與其孫〉肖像畫的影響 113 第三章、〈教宗保祿三世與其孫〉畫作的圖像分析與其影響 123 第一節、〈教宗保祿三世與其孫〉的圖像分析 123 第二節、〈教宗保祿三世與其孫〉的形式與符號 140 第三節、〈教宗保祿三世與其孫〉的政治宣傳與社會意義 144 結論 146 參考文獻 149 附件一:本文作品圖錄詳細資料表 154 附件二:提香肖像畫作作品圖表 170 附件三:提香年代的羅馬天主教教宗任期表 178 附件四:提香年的威尼斯共和國總督任期表 182 附件五:十四世紀至十六世紀法爾內賽家族成員圖像表 185

    一、西文部分
    1. 西文專書
    Alberti, Leon Battista. translated by Spencer, J.R. “On Painting”, New Haven, Yale University Press: 1973.
    Atlante genelogico della Famiglia Farnese, “I Farnese: Arte e Collezionismo”, Electa, Napoli: 1995.
    Blanchot, Maurice., translated by Elizabeth Rottenberg. “Friendship”, Stanford, Calif. : Stanford University Press, 1997.
    Burke, Peter., “Historical Anthropology of Early Modern Italy: Essays on Perception and Communication”, Cambridge University Press, 1987.
    Chambers, David Sanderson. and Fletcher, Jennifer., “Venice: A Documentary History, 1450-1630”, University of Toronto Press, 2001.
    Chu Tung-Tsu & Dull, Jack. L. “Han Social Struture”, Seattle and London: University of Washington Press, 1972.
    Clinton, Locke. “The age of the great western schism”, Christian Literature Corp. Press, New York: 1896.
    Crowe, J. Archer.& Cavalcaselle, Giovanni Battista. “Titian: His Life and Times”, London: 1877.
    Edgerton, S.Y. Junior., “Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance”, London: 1985.
    Fortini, B. Patricia. “Art and life in Renaissance Venice”, Prentice Hall : H.N. Abrams, New York : 1997.
    Freedman, Luba. “Titian’s Portrait Through Aretino’s Lens”, Freedmand, Pensylvannia: 1995.
    Haskell, Francis. “Patrons and Painters”, Yale University Press, New Heaven: 1980.
    Hazlitt, W. Carew. “The Venetian Republic: its Rise, its Growth and its Fall”, London: 1915.
    Howard, Deborah. “Jacopo Sansovino Architecture and Patronage in Renaissance Venice”, Yale University Press: 1975.
    Kemp, M. “Behind the Picture: Art and Evidence in the Italian Renaissance”, New Heaven: 1997.
    Kent, F.W. with Simons, Patricia. “Patronage, Art, and Society in Renaissance Italy”, Oxford University Press, London: 1987.
    Mulazzani, Marco. “Guide to the Pavilions of the Venice Biennale since 1887”, Milano: Mondadoei Electa Spa, 2014.
    Panigada, Costantino. (Ed.). “Memorie e Lettere”, Bari: 1934.
    Panofsky, Erwin. “Problems in Titian: Mostly Iconographic”, New York University, New York: 1969.
    Pope-Hennessy, John. “The Portrait in the Renaissance”, Princeton University Press, Princeton: 1979.
    Ridolfi, G. “The Life of Titian”, University Park: Pennsylvania State University Press, 1996.
    Rinaldi, G. “L’attività commericale nel pensiero di San Bernardino da Siena”, Roma: 1959.
    Waterworth, I.(Ed.) “The Canons and Decrees of the sacred and ecumenical Council of Trent ”, Dolman Press, London: 1848.
    Woods, Kim. “Making Renaissance Art: Renaissance Art Reconsidered”, Yale University Press, Woods: 2006.
    Zapperi, Roberto, “Ttian, Paul III and his grandsons: Nepotism and Portrait of State” , Milano: 1990.
    Zeno, Apostolo. “Compendio della storia Veneta”, Venezia, 1847.
    2. 西文期刊
    Alberigo,G., ‘Cardinalato e collegialità.’, “Studi sull’ecclesiologia tra l’XI e il XIV secolo”, Vallecchi. Firenze: 1969.
    Broderick, John F., ‘The Sacred College of Cardinals: Size and Geographical Composition (1099-1896)’, Archivum Historiae Pontificiae 25, 1987.
    Carlo Ridolfi, “Le Maraviglie dell’Arte”, Società Multigrafica Wditrice SOMU, Roma: 1965.
    Doark, Robin Santos. ‘Pietro Aretino, le Lettere a Tiziano da Aretino, n. 51, n.57, n.62, volume IV’, 1550.’, “Pope Leo X: Opponent of the Reformation”, Compass Point Books: 2006.
    Edwards, J.M.B. , “Creativity: social aspects”, International Encyclopaedia of the Social Sciences, ed. D.L. Sills, vol. 3,New Yok: 1968.
    Fragnito, Gigliola. ‘Cardinals’ Courts in Sixteenth-Century Rome’, “The Journal of Modern History, Vol. 65, No. 1, Mar. 1993.
    Frugoni, A. (ed.)., ‘Carteggio umanistico di Alessandro Farnese’, V, Florence: 1950.
    Partner, Peter., ‘Papal Financial Policy in the Renaissance and Counter-Reformation’, Past & Present Society, No. 88, August, 1980.
    Robenberg, Charles M.(ed). “The Court Cities of Northern Italy: Milan, Parma, Piacenza, Mandura, Ferrara, Bologna,Urbino, Pesaro and Rimini.”, Cambridge: Cambridge University Press, 2010.
    Wilde, James., “The Hall of the Great Council of Florence”, represent in Renaissance Art, ed. C.Gilbert, Journal of the Warburg and Courtauld Institutes, Vol. 7, 1944.
    3. 網路資源
    ‘At the National Gallery: Titian’s First’ Masterpiece’, London Review of Book: 34, Charles Hope, London: 2012.: http://www.lrb.co.uk/v34/n10/charles-hope/at-the-national-gallery.
    Corriere della Sera/ Dizionario
    Diccionario etimológico: http://etimologias.dechile.net/?nepotismo.
    Italiano :http://dizionari.corriere.it/dizionario_italiano/N/nepotismo.shtml.
    The Blog of the British Museum, ‘Swords as symbols of status’, 20, April, 2012: https://blog.britishmuseum.org/2012/04/20/swords-as-symbols-of-status/.

    二、中文部分
    《十日談》,薄伽丘著,王永年譯,人民文學出版社,北京:2003。
    《文藝復興:從黑暗中誕生的黃金時代》,Paul Johnson著,譚鍾瑜譯,左岸文化出版,台北:2004年。
    《文藝復興時期的義大利藝術》,Evelyn Welch著,郭紅梅譯,上海人民出版社,上海:2014。
    《世界通史資料選輯》郭守田主編,商務印書館,北京:1981。
    《西方藝術批評》,文杜里著,遲軻譯,江蘇教育出版社,北京:2005。
    《西歐社會轉型中的教廷財政》,龍秀清著,濟南出版社:2001。
    《肖像畫的凝視》,Maurice Blanchot著, 簡燕寬譯,桂林:2015。
    《社會生活中的交換與權力》,Peter M. Blau著,李國武譯,北京:2012。
    《威尼斯共和國的故事:西歐的屏障與文明的門戶》,William H. McNeil著,許可欣譯,台北:2012。
    《提香,他的輝煌和威尼斯時代》,Arthur Stanley Riggs著,尚壘譯,北京大學出版社,北京:2010。
    《提香的天上的愛和人間的愛》,現代出版社,Stefano Zuffi著,北京:2015。
    《義大利文學史》,張世華著,上海外語教育出版社,北京:2003。
    《義大利文藝復興時期的文化》,布克哈特(Jacob Burckhardt)著,何新譯,商務印書館出版,北京: 1979。
    《義大利史》,蔡百銓,五南出版社,台北:2002。
    《歐洲文藝復興史:宗教卷》,劉明翰主編,北京:1996。
    《歐洲現代史:從文藝復興到現在》上冊,John Merriman著,焦陽等譯,上海人民出版社,上海:2006。
    《歐洲現代史:從文藝復興到現在》下冊,John Merriman著,焦陽等譯,上海人民出版社,上海:2006。
    《論特權》,Emmanuel-Joseph Sieyès著,梁家瑜譯,台北:2014。
    《歷史的轉淚點》,古偉瀛著,國立台灣大學出版中心,台北:2006。
    《羅馬:從神殿到教堂》,黃業強著,田園城市文化出,台北:2012。
    《霸權興衰史》,Pual Kennedy著,張春柏等譯,五南文化事業出版,台北:2008。

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