法王路易十六執政時期，知名女性畫家伊麗莎白．路易．維傑－勒布倫 (Elisabeth Louise Vigée-Le Brun, 1755-1842) ，以細緻典雅的繪畫風格承接貴族的肖像畫委託，從小接觸藝術界與時尚界養成的品味，讓畫作中的服裝、髮型或配件在歷史上也成為重要的史料。她不但是王后瑪麗．安東妮 (Marie Antoinette, 1755-1793) 的御用畫家，還獲准列名法國皇家繪畫與雕塑學院 (French Royal Academy of Painting and Sculpture) ，其個人魅力與藝術創作的影響力不容小覷。
隨著法國大革命的爆發，維傑－勒布倫雖因與皇室的友好關係被撻伐，擔心受到牽連而離開法國，但聲譽遠播的她受到青睞，持續為義大利、維也納、俄羅斯等其他歐洲國家皇室貴族繪製肖像。維傑－勒布倫在俄羅斯6年間 (1795~1801) 為皇室貴族與名媛繪製不少肖像畫，臺灣奇美博物館收藏的〈杜法奇亞公主肖像〉 (Portrait of Princess Tyufyakina, 1802) （收藏編號：0010945）是其中一幅，呈現方式與同期肖像畫不同，筆者以這幅畫為起點，深入探究維傑－勒布倫於俄羅斯時期之創作。
本研究將透過歷史文獻梳理維傑－勒布倫的生平與當時藝術發展，其次探究維傑－勒布倫與同時期俄羅斯藝術家的繪畫特色，再分析俄羅斯時期肖像畫的特色，最後並以〈杜法奇亞公主肖像〉肖像衣著風格探討新古典主義在十八世紀末至十九世紀初對於時尚潮流的影響與轉變。
研究發現維傑－勒布倫與同時期弗拉基米爾．博羅維科夫斯基 (Vladimir Lukich Borovikovsky, 1757-1825) 畫作都受情感主義影響，維傑－勒布倫善用姿態與表情展現人物情感，博羅維科夫斯基則表現人物與自然之間的關聯。維傑－勒布倫離開法國後繪畫表現更多新古典主義與東方時尚，〈杜法奇亞公主肖像〉的服裝風格受到新古典主義影響，呈現出像是古典雕像般白色高腰、低胸、短袖的特色。

Elisabeth Louise Vigée-Le Brun (1755-1842), took on the aristocracy's portrait commissions with her delicate and elegant painting style. With the outbreak of the French Revolution, she painted portraits of the royalty of other European countries such as Italy, Vienna, and Russia. Portrait of Princess Tyufyakina (1802) , which is part of the collection at the ChiMei Museum in Taiwan, stands out for its presentation style different from that of the same period.
This study will examine the life and artistic development of Vigée-Le Brun through historical documents, then explore the characteristics of the Russian period portraits of Vigée-Le Brun and Russian artists of the same period, then analyze the characteristics of portrait paintings, and finally, with Portrait of Princess Tyufyakina, explore the influence of Neoclassicism on the fashion trends in the late eighteenth and early nineteenth centuries.
The study found that Vigée-Le Brun and his contemporaries, Vladimir Borovikovsky (1757-1825) were both influenced by sentimentalism, with Vigée-Le Brun utilizing gestures and expressions to express the emotions of his characters, and Borovikovsky expressing the connection between the characters and nature. After leaving France, Vigée-Le Brun 's paintings became more neoclassical and oriental. The dress style of Portrait of the Portrait of Princess Tyufyakina reflects the influence of Neoclassicism, featuring a high white waist, low-cut neckline, and short sleeves reminiscent of a classical statue.

一、 西文書目
（一）英文
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（二）法文
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Vigée-Lebrun, Elisabeth Louise. Souvenirs de Madame Vigée Le Brun. Vol. 1. Paris: Charpentier, 1869.
Vigée-Lebrun, Elisabeth Louise. Souvenirs de Madame Vigée Le Brun. Vol. 2. Paris: Charpentier, 1869.

（三）俄文
Афанасьева, Ирина. Екатерина Великая в стране и мире. СПб: ФГБУК Государственный русский музей, 2017.
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二、西文期刊
（一） 英文
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（二）法文
Ladoucette, Vera de . “ Grandeur et décadence des femmes peintres entre la fin de la monarchie et la première moitié du XIXe siècle.” Les Cahiers de l’École du Louvre [En ligne], 16 | 2021, mis en ligne le 04 juin 2021, consulté le 26 mars 2023. URL :http://journals.openedition.org/cel/15849

（三）俄文
Джакешевна, ИсмагуловаТамара. “Россия–Франция.Alliance культур.XXII.” Царскосельской научной конференции (2016) , pp.313-328.
Кирсанова, Раиса. “Платье Госпожи Тюфякиной.” Искусствознание: журн. по истории и теории искусства 3–4 (2014) , pp.416-447.

Абрамкин, Иван. “Портретная Концепция Русского Сентиментализма: Принципы Изображения Модели в Творчестве Ведущих Мастеров 1790-х Годов” Вестник МГХПА 3, 1 (2020), pp. 96–112.
Абрамкин, Иван. “Истоки Портретной Концепции в Творчестве В.Л. Боровиковского.” Вестник РГГУ. Философия. Социология. Искусствоведение 4 (2022), pp.132–141.

三、工具書
Bryan, Michael, Robert Edmund Graves, and Walter Armstrong. Dictionary of Painters and Engravers,Biographicaland Critical. London: G. Bell and Sons, 1886.
四、電子書
Rosslyn, Wendy, and Alessandra Tosi, editors. Women in Nineteenth-Century Russia: Lives and Culture. 1st ed., Open Book Publishers, 2012.
五、網路資源
Sarabianov, Andrei D.. "Vladimir Lukich Borovikovsky". Encyclopedia Britannica, 31 Jul. 2022, https://www.britannica.com/biography/Vladimir-Lukich-Borovikovsky. Accessed 3 February 2023.
Hoo, Fawnia Soo. “Helen mirren’s costumes in ‘catherine the great’ are a gorgeous history lesson.” Fashionista home. N.p., 21 Oct. 2019. Web. 29 May 2023.
Пахсарьян Н. Т. СЕНТИМЕНТАЛИЗМ // Большая российская энциклопедия. Электронная версия (2017); https://old.bigenc.ru/literature/text/3656416 Дата обращения: 21.08.2023