| 研究生: |
阮婧 Ruan, Jing |
|---|---|
| 論文名稱: |
生成後人類:當代推想小說真實和虛構間的自我重塑 Becoming a Posthuman: Reshaping the Selfhood between Fiction and Reality in Contemporary Speculative Fiction |
| 指導教授: |
賴俊雄
Lai, Chung-Hsiung |
| 學位類別: |
博士 Doctor |
| 系所名稱: |
文學院 - 外國語文學系 Department of Foreign Languages and Literature |
| 論文出版年: | 2025 |
| 畢業學年度: | 113 |
| 語文別: | 英文 |
| 論文頁數: | 280 |
| 中文關鍵詞: | 後人類 、虛構 、真實 、自我 、推想小說 |
| 外文關鍵詞: | posthuman, fiction , reality , selfhood, speculative fiction |
| 相關次數: | 點閱:58 下載:0 |
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本論文旨在探討後人類時代的個體如何在真實與虛構間重塑其存在與自我,並以當代推想小說為切入點,聚焦四種虛構模式:人工智能創造、跨物種情境、虛擬遊戲的意義建構與科學真理生產。通過分析四部英語文學推想小說——珍妮特·溫特森的《弗蘭啃斯坦:一個愛情故事》(2019)、勞拉·麥凱的《那個國家的動物》(2020)、威廉·吉布森的《邊緣世界》(2014)與理查德·鮑爾斯的《困惑》(2021)。如是,本論文探討了四種形態的後人類身份:超人類、跨物種、跨宇宙和跨個體。運用德勒茲的生成概念和布拉伊多蒂的後人類遊牧學的理論框架(其核心內容包括差異性和關係性本體論、遊牧主體、肯定性倫理、橫貫性、具身唯物論、生命平等主義),本研究主張挑戰本體論邊界、建立多元聯結、擁抱流動性,以增進對去中心化存在模式中的人類自我的尊重。此外,通過檢視四部小說中的人物角色對四種後人類身份的呈現、協商、接納或拒斥的過程,本研究試圖勾勒人類「自我」演化的潛在軌跡及其倫理意涵。基於此,本論文以上述四部小說為例,闡述了當代推想小說在虛構與真實的張力場中重塑後人類主體性的深層機制:此過程本質上是對未知領域的解構性協商,是從人類向後人類的生成過程中對「不可協商之物」的持續對話,並最終指向對「他者性」的動態生成。
This dissertation aims to explore how fiction intersects with reality, reshaping human existence and selfhood in the posthuman era's contemporary speculative fiction. To this goal, it examines four modes of fiction: the creation of AI machines, trans-species scenarios, virtual gaming, and the construction of scientific truths. Specifically, using four Anglophone speculative fiction novels—Frankissstein: A Love Story (2019) by Jeanette Winterson, The Animals in That Country (2020) by Laura McKay, The Peripheral (2014) by William Gibson, and Bewilderment (2021) by Richard Powers—the research delves into four types of posthuman identity: trans-human, trans-species, trans-universe, and trans-individual. Drawing on Deleuze's notion of becoming and Rosi Braidotti's framework of posthuman nomadology, featured by its claims on differential and relational ontology, nomadic subjects, affirmative ethics, transversality, embodied materialism, and zoe-based egalitarianism, the dissertation argues for reshaping selfhood towards posthumanism. It suggests challenging limitations, fostering connections, and embracing fluidity to deepen reverence for human selfhood in the de-centered modes of existence. Therefore, the dissertation scrutinizes how characters in the four novels portray, negotiate, and embrace or reject posthuman identities, illuminating potential trajectories of human evolution and their ethical implications. Reshaping the selfhood between fiction and reality in contemporary speculative fiction illustrates the ongoing deconstructive negotiation of the unknown from a human to a posthuman—to negotiate the unnegotiable in the process of becoming otherness.
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校內:2030-08-20公開